Two Terriers Studio Quilts – Two Terriers Studio

Eastern to Mountain, Part 2

Published on May 26, 2023May 26, 2023 by twoterriersstudioLeave a comment

The Wonky Stars Quilt

Continuing on with my Eastern to Mountain, 3-part series, let’s talk about the Wonky Stars Quilt. This series is about three different quilts that are all scrap busting by nature; colorful and well-traveled. This particular one was 100% inspired by the Missouri Star Quilt Co. “Block” magazine that I received from a fellow quilter. As I’ve mentioned before, I learned so much about quilting from Jenny Doan, Founder of Missouri Star Quilt Company http://www.missouriquiltco.com. I watched her online tutorials, almost daily in the beginning, and her ‘anyone can do this’ style drew me in. She made quilting approachable and fun, so of course, I was happy to have this new book in my collection.

Wonky Stars is just that – WONKY. There’s no fussing with matching triangle points. The four patch center is about as precise as the piecing needed to be. The rest is a wash of colors and prints, free form triangle shapes and wonky goodness throughout. Making this was a relaxing experience and I immediately thought that it would be a quilt I could make over & over and never tire of the process. While Jenny’s version on the cover of her book is scrappy, as is mine, this would be fantastic in a curated palette or from a single collection. I omitted the sashing and setting squares in my quilt, but aren’t Jenny’s just an extra pop?

Gathering the Scraps

As you can see, there’s a little bit of everything in these blocks! My go-to background is a bleached white cotton from Moda Fabrics. A bright, crisp white is one of my favorites when paired with all these vibrant colors. Keeping the same white in my quilts allows my solid white scraps to match. Pulling from smaller pieces generally ensures they are all the same. Note, I said “generally”. It’s not an exact practice, as there have been a few stragglers left behind from earlier quilting days. One of those stragglers found its way into this quilt, as a matter of fact. I actually didn’t even notice the slight variation until the quilt was completely pieced and I saw it in the daylight!

Progress! I totally understand that scrappy patchwork isn’t everyone’s favorite, but I love it. It’s good to be frugal, using every last little bit of precious fabric. I like reliving the memories of so many other projects as I cut new blocks for what will be a one-of-a-kind new quilt. As usual, I didn’t have a final size in mind when I started these blocks. I kind of let the evolution happen and felt that I’d know when I’d made enough. There were moments I thought this could be a really fun & funky baby quilt, but the more stars I made, the more I wanted the quilt to be very big. So, I kept going.

Assembly

Once my blocks were finished, I cut them all to the same size which seems like a process out of order. With the focus and precision in the four-patch and the “legs” of the stars all being different, the squaring came last. Squaring up these nine patch blocks was quick & the sewing even more so.

You can really see my alternating pressing of seams here. That’s another technique I know many quilters will debate. Press to alternating sides or open? I tend to press alternately; open if the pattern calls for it. With the Wonky Stars, my alternate row pressing was just fine. I always give my quilt tops a final starch and press before they are quilted, but this one shows the first pass.

Off to the Mountains

This is where the Eastern to Mountain comes in. My husband and I took two quilts into the mountains of Utah and photographed them in a place that was totally new to us. We like to hike and explore, but the difference in altitude and width of trails compared to home made for a challenge. Thankfully, my husband agreed to carry the quilts and I’m certain the other hikers were wondering what he had in that big plastic bag! After crossing paths with a snake, I was busy watching my steps. Stopping among the Aspens for photos was the perfect respite. The photos do not do justice to this beautiful place. And yes, the top is a bit wrinkly.

I’m thankful we took these photos in Provo, before hiking near Sundance. We learned that extra large quilts are more difficult to keep off the ground when taking photos and dirt hiking trails aren’t forgiving. I had to do a little hand washing of this one and left it to drip dry over the hotel shower curtain rod. That was when I found the one, white square straggler. Yes, I left it and it’s quilted in. I sort of figured if it took all this piecing, hiking, and hand washing for me to see it, then let it be.

Back East

The backing fabric by Sarah Golden for Andover Fabrics features terriers, of course! The beautiful edge to edge quilting is the work of Jenn at Knotted Thread http://www.knottedthread.com. Now quilted & bound, it had one more trip to our friends’ in New Hampshire. Equally bright in the mountains of Utah as it is here, over the picket fence of a 200 year old home. Quilts – memories stitched together and at home everywhere.

All content and photos property of Two Terriers Studio and not to be copied or distributed without written consent of the owner.

Eastern to Mountain, Part 1

Published on May 3, 2023May 3, 2023 by twoterriersstudioLeave a comment

The Retro HST Quilt

In three seasons of 2022, I made three quilts that traveled with me between the Eastern and Mountain time zones of the USA. I love “Quilts in the Wild” and capturing these in different cities and seasons, in various stages of completion was a treat. So, with that in mind (and because I’m about a year delayed in writing these stories), I’m going to do a 3 part series. One more thing they all have in common is that they were all three made from my scrap stash. It’s hard to say now, but I’m guessing some element of it was an Earth Day focus, using what I have without buying new. There truly is a blessing in using what you have; I could not be more pleased with these quilts.

A Sew Along

One of the great things about the Instagram quilting community are the friendships that can develop between quilters who may have never even met in person. A shared passion for fabric & design, is something we can talk about for days. Fine tuning skills with tips & tricks, as well as collaborating on patterns or even sew-alongs, is actually fun. This Retro HST (half-square triangle) Quilt was born out of an IG sew-along.

Quilty friends, @lizzymakes, @knotted_thread & @graccieone were the spark behind this sew-along in the spring of 2022. It was inspired by a half-square quilt created by Red Pepper Quilts (the original is a 9-patch HST block) and had been made by Elizabeth. Jen & Amanda hosted a “create at your own pace” sew-along and I liked the idea of a giant quilt, but at my own pace, and not on a group deadline. I started pulling fabric and pairing up squares.

Keeping the momentum going with more fabric pairings and trimming. In true to me form, once I started, I was pretty singularly focused!

A few tools to help with accuracy and flat blocks are always right by my sewing machine. The wool pressing mat, my LDH snips, a hot iron and a tailor’s clapper are all used in a day’s work.

The Block Assembly

Accuracy in the first cut is important, but it’s also important how we press (not iron) and trim our blocks to size. This particular quilt of mine has 576 half-square triangles. A little bit “off” x 576 will result in a wonky, not square or flat quilt top. I knew that if I was going to cut this many pieces, they had to be spot-on!

What’s on the inside matters too. I love how quilt blocks look from the side you’ll never see once it’s quilted.

Little by little, I pulled fabric and paired the darker pieces with some low-volume prints. I tried to stick to a schedule of making a few each day because I could tell right away I was going to like this and wanted to see it through to the end. That isn’t always the case. Some “starts” are not the favorite “finishes”.

Off to Utah

I finished this before our trip to Provo and lovingly packed a suitcase with three quilts to take for photos. It’s been a long time since I was in the mountains west of home, so I was excited about the potential for great scenery. Provo did not disappoint!

Two perspectives along the same sidewalk at Bridal Veil Falls. I wish there was sound…the waterfall and the gentle breeze cannot be captured here; it was a spectacular spot.

I like the contrast of the color and softness of all this fabric against river rocks and the roar of nature. Of course, I was on alert for gusts of wind so that my quilt top didn’t get blown into the stream. That would likely not be pretty!

Back to the East Coast

Once I returned home, this was sent to be long-arm quilted. I’m so thankful to have the option to send big quilts out for the magic of edge to edge quilting. I don’t think I could do it justice, for a quilt this size, on my domestic machine.

I chose a swirl pantograph to give movement to all the angles and squares. The backing is a text print (my editing / writing days shine through in fabric prints, sometimes); the binding is a Liberty print. It pulls colors from the front, coordinates with the print on the back; subtle, but interesting, in my opinion.

I’ve shifted to machine binding my larger, personally owned quilts. Yes, it’s special to have them hand-bound. But, we use our quilts and they are washed often, so I like the added assurance of a solid, machine seam.

Retro HST in Autumn

The good thing about an “at your own pace” sew-along is that I wasn’t behind schedule when I finally had it pieced, quilted, traveled and bound for photos in a New England Autumn! As much as I loved the Utah mountain shots, the backdrop of red trees is pretty cool too.

This one is well traveled and well loved, season to season. I look forward to making another!

All photos and content property of Two Terriers Studio, not to be copied or distributed without written consent of the owner.

My 1st Pixelated Quilt

Published on May 2, 2023 by twoterriersstudioLeave a comment

This is the latest scrap busting quilt I’ve made and I love it. Every quilt comes with a story; how it began, who it is for, the process, the fabric, the quilting and boy, does this one have a story. It’s one that I’m glad I trusted the process and continued sewing, even amidst the doubt and layout fatigue. What started as a project to use scraps and have some “mindless” patchwork sewing, quickly became anything but mindless. It’s more of a study of value and every block is placed with intention. Such intention isn’t usually found in scrappy or improvisation quilts I’ve made in the past. This one took time.

Sorting Scraps

I tend to be frugal with my scraps; almost to a fault. I’ve now been quilting for just over a decade and while I buy a lot of fabric, I use and keep almost every little bit until it’s a size that I can no longer find a use for. After each project, I’ve cut leftover fabric into 5″, 3.5″, and 2.5″ squares and store them together for future patchwork. The bigger pieces are sorted and stored by color and become zipper pouches or something like that. I’ve made so many “scrap busting” quilts and will be sharing them here soon. I’m a couple days late for Earth Day celebrations, but I always feel that using every little bit and not dumping it into a landfill is a responsible way to move through this process. My goal here was to not purchase a single piece of fabric to make this giant quilt and in that, I succeeded.

When I decided to make this Pixelated Quilt, I pulled all my 2.5″ squares and just dropped them on my cutting table. That’s the mess above. I don’t sort my squares by color, but by size. It seemed to make sense until this quilt assembly.

After a few days of sorting through all those little random pieces, I spent time sorting by color into a storage box. I don’t work well in chaos, so while I like all the fabric, the lack of order was making it a challenge to get things done. I was reminded that I have very little orange, yellow, or purple fabric in my collection. I needed to cut into some other larger pieces to develop the right amount of color gradient.

It was at about this time that I wasn’t sure I wanted to make this a large quilt. I started questioning what minimum size would still show the pattern, but allow for a quick finish. It was taking more time than I had anticipated (or wanted to spend) and rather than using the 2.5″ squares I’d already cut, I was having to cut into more fabric I already owned. I said to my husband, “I thought this was a good idea, now I’m not sure. Maybe it can be a baby quilt? I’m actually not loving it; is the value gradient actually showing yet?” He will say that the story went something like, “I have an idea; I love it; I think I’m OVER IT; insert mild curse words; I’m SO OVER it; a few more curse words; Ok, I really do love it!” Ha.

The Layout

My block layout is a 6×6 pattern with the darkest line on the center diagonal. I also wanted the graphic images to be oriented top to bottom; the quilt front would have an obvious “top”. This was one more place where the intentional layout became time consuming. In addition to the gradient, I wanted the orientation to be consistent. Sometimes, I don’t worry about that. This time, I was trying to get each piece correct. With a quilt measuring 68″ x 80″, that meant 1,512 pieces…all measuring 2.5″ unfinished, 2″ finished.

Quilt in the Wild

I like to photograph my quilt tops before they are quilted and bound for a few reasons. When I finally get the top finished, the first photos feel like a bit of a celebration. It’s also easier to travel with quilts of this size before they are quilted and bound, because the weight of something 68×80″ is heavy. My husband always helps me with the full size photos, so it’s also good that he’s not standing there, arms completely outstretched, trying not to let a heavy quilt hit the ground. I think it’s fun to see my work out of the studio, so “Quilts in the Wild” is top of my photo list.

These photos were taken at the Northfield Daffodil Farm in Litchfield, CT. It’s a magical place with rolling hills and so many beautiful flowers. This is was the second time (and second quilt of mine) photographed here.

Longarm Quilting

I sent this to be professionally longarm quilted by Jen, http://www.knottedthread.com. I chose a continuous Baptist Fan pantograph and I think she did a wonderful job.

The backing is of sea turtles and the binding is a Moda Fabrics grunge. I like how the binding matched the sea turtles, but also framed this span of so many colors.

Finished

Quilted and bound, I took it to Massachusetts for one more photo. It was just the burst of color needed by the sidewalk on this cloudy, spring day. If you look closely, you can see those turtles peaking out at the upper right corner.

While there is truth to the way my husband would relay the story of this quilt’s making, I look at it finished and I’m thankful I continued on. Isn’t that the way with most things in life? It’s the mentality to keep going that will get us where we need to be. Within these one thousand five hundred and twelve squares are fabrics from my very first quilt, made over a decade ago, as well as pieces from almost every one in between. I’m definitely seeing repeats and I notice the gaps in my own stash. This one will be staying at home with us. I made a considerable dent in my scrap squares and celebrated using every little bit.

It’s just a fun, cozy, colorful quilt, made with love.

All photos and content property of Two Terriers Studio and not to be copied or distributed without written consent.

The Night Vision Quilt

Published on April 27, 2023April 27, 2023 by twoterriersstudioLeave a comment

It’s been a LONG time since I’ve shared stories of quilts here. I didn’t realize how long until I started this post, but hello again, I’m glad you’ve joined me. I’ll be catching up with stories and photos of many quilts (some from 2022!) and travels very soon. I hope you’ll come back and visit.

A Pattern Test

This project was a pattern test for my quilt designer friend, Morgan, of www.modernlymorgan.com. She and I have worked together several times and when she asked me to test / review this pattern, I was happy to do it. Pattern testing gives me a path to keep my editing skills fresh and to work with talented makers, as well as having a sneak peek into yet to be released designs. It’s all good.

The Fabric

There’s a joke around the internet that buying fabric and quilting are two different hobbies. As a quilter, and fabric enthusiast, I tend to agree. I often buy fabric I love, without a clear-cut plan for it, but I know it will be used one day. Nothing goes to waste in my studio. For this quilt, I pulled a fat quarter bundle from my stash. This particular bundle is called Americana, by Art Gallery Fabrics. While it’s not specifically Stars and Stripes, the color variation is definitely one that evokes patriotic feelings. In a decade of quilting, I’ve not made a patriotic or Independence Day summer quilt, so this seemed the perfect time. I purchased this bundle from another friend, Jen at www.knottedthread.com.

There’s something so beautiful about freshly cut fibers, stacked neatly together. To take yardage, cut it apart and reassemble into something new is a wonderful thing.

Half-square triangles in the making. I’ve only recently started using Seam Tape when piecing HSTs. It certainly cuts down prep time and results in accurate measurements too.

Fabric confetti is an unavoidable “work hazard”! Even these tiny pieces have a purpose. I donate these to a friend who uses them as “stuffing” for bedding for local animal shelters. It makes my heart happy to know that nothing goes to waste and that these trimmings give comfort to an animal in need.

Piecing the Blocks

The instructions for this quilt are very straight forward and allow for a lot of chain piecing. I like the repetitive nature of matching blocks and being able to sew several sections all at once and then work on the layout by color value / design. Morgan’s patterns are precise and easy to follow. I never question the math or accuracy, even in the “testing & editing” phase.

Tools

I rely on a few tools in my studio to enhance my quilt blocks. A wool pressing mat, tailors’ clapper, a HOT iron (no steam) and Faultless “magic” spray. This is not a sponsored post (although, I wish it were!), but here’s a glimpse of some of my favorite tools. The combination of these really helps to create flat seams and we all know that flat seams build flat quilts.

A Stack of Blocks

Seeing these photos reminds me, again, how long it’s been since I’ve blogged! I started this quilt while there was still snow on the ground. The colors brightened those winter days and made me look forward to summer picnics and celebrations. This quilt has traveled all around the eastern USA; see the sights below.

The pieced top, not yet quilted, traveled to Florida. For my family, the beach is among our favorite places to be, so of course, I needed to photograph this here. I do travel with quilt tops; I like the varying scenery for backdrops, but it also blends my hobby/work with family adventures. My husband is my trusted quilt holder & photo assistant, and thank goodness he’s tall and willing to hold these for all the photos! I literally couldn’t do this without him. He’s my biggest cheer squad too.

Quilt Travels Continue

Quilted, not yet bound. Photographed at the Norman Rockwell Museum, MA

I sent this quilt top to NJ to be longarm quilted by Jen, at Knotted Thread. Her work is the exact finishing needed to bring these to life. I went with a swirl and star motif to balance the squares and to add a flair of celebration, as would be appropriate for Independence Day!

When it was returned to me, I brought it along on a trip to the Norman Rockwell Museum in Stockbridge, MA. Norman Rockwell’s paintings and illustrations tell the story of American life and it was not only a treat to see all his work, but the property is gorgeous too. I thought it was an ideal location to photograph my Americana themed quilt; at the home/studio of a renowned American illustrator. If you ever find yourself in western Massachusetts, stop in and see his work. It’s even better up close. I was in awe of the details – you don’t want to miss it.

Night Vision at the Norman Rockwell Museum, along the footbridge

The Details

This pattern comes with instructions for four sizes: child, throw (as I’ve made), twin & bed. It is fat quarter friendly and would also be great in a scrap-busting finish. You can purchase this & other designs at Morgan’s website as linked above. Check out all the other testers’ versions on Instagram too; so much creativity and inspiration to be found there!

Thanks again to Morgan for including me in the tester group. I end up with so many beautiful projects by doing this work.

All photos and stories property of Two Terriers Studio & not to be duplicated or shared without written consent.

Holiday Hills Quilt #2

Published on February 17, 2022 by twoterriersstudio2 Comments

Looks familiar, right? It’s February 2022 and this has been in the works for a couple of months. Other quilts have been started & finished, but I fell out of habit getting blog posts written during the holidays, so let’s catch up.

Quilting Gifts

If you’ve been a reader for awhile, you know I sew or quilt almost daily. I test patterns for several designers and I write about those quilts & my experiences here. Often, when I test a pattern, it happens to align with a holiday, a seasonal shift, coincidentally with milestones or the birth of new babies. When that happens, I head into the test with a particular person in mind and I choose fabrics that will work well with the quilt, but suited to a gift I also want to make. It’s a win-win. There are also times I make a quilt, knowing it’s a gift, but I want to have one for myself too! This second version of the Holiday Hills Quilt is kind of like that. I made the first version for my family, knowing full well that my sentimental, holiday loving, decor enthusiast friend needed one too.

Keeping Secrets

I’m blessed with a multitude of creative family & friends. I’m inspired by their work and frequently, we share work or “barter”, for lack of a better word. We encourage one another, while also learning from each other. It’s really cool. I was speaking with my friend, Tammy, in late 2021 and she said, “I’d love for you to make me something; maybe a quilt?” Not only is she a friend, she’s been a solid customer too. She has supported my business from the beginning and owns multiple Two Terriers Studio creations. This particular discussion came on the heels of taking inventory of all the quilts I’ve made & gifted and even stacked in closets in my studio. Quilts I’ve tested, ideas that were started & left unfinished. Quilts on my “to make someday” list. Her comment got my wheels churning. I was watching her decorate her new home for the holidays. She has such an attention to detail that I knew her quilt would be best suited with the holidays in mind, in the color scheme I saw in her home. I wanted it to be a surprise, but I have learned that with the amount of hours it takes to complete a project like this, keeping the fabric a secret was not a great idea. I needed her input or approval first.

Fabric

Tammy’s favorite color is teal / aqua. Little pops of it show up all around her world! As I started looking into fabric, I found this collection by Maude Asbury for Free Spirit Fabrics called Fa La La. I felt that it was perfect for her & she gave the “thumbs up”. It was all she knew about what was in the works; the rest I kept to myself. I’ll tell you, not sharing the other fabric choices was a challenge. I wanted to include her, but also surprise her. The trust she placed in me to just do as I wished, was a treat. I ordered the fabric and the project began.

I realize now that I didn’t actually take that many progress photos! This was a pattern I’d already made once, so the piecing and technical issues have been documented before. It was so tempting, with every new tree, to share progress, but I stayed on task.

Longarm Quilting

This quilt is 60×64″ and bigger than I felt comfortable quilting, edge to edge, on my domestic machine. Tammy agreed with having it professionally quilted & she covered that cost, as well as the feature fabrics. I sent this to Jenn, www.knottedthread.com, for the quilting. As always, amazing results. After hours and hours of cutting and piecing, it’s nice to have this kind of finish, texture, and creative art added. It’s a team effort, a collaboration, for sure.

I’m certainly NOT a perfect piecing, all the time, kind of sewist, but this pattern by Raye, www.thehomebodyco.com, is written in such a way that points are not lost in the piecing of these trees. So satisfying to see it up close. Well, at least for me!

I chose this aqua snowflake fabric for the binding. With it being her favorite color, and also featured among the tree motifs, it frames the design pretty well. I try to make my binding at the time the tops are finished, but to be honest, it’s the stage at which I usually lose momentum. The secret is to gift quilts; those get finished! I don’t care to admit how many quilts are stacked in my studio waiting for this 1% final piece of the puzzle.

The Backing

The original feature fabric is the entire back of this quilt. I just love it. The whimsical trees, the old fashioned-ish ornaments, images reminiscent of “tinsel” trees from the 60’s (is that when those were popular?); it all makes me smile. If she wants a pop of color, this can be draped on a sofa or the foot of a bed with the backing facing out, rather than the front.

Exhale

Binding finished, one swift “shaking it out” and setting it down for a look…I exhaled. It’s as I had hoped and it embodies work beyond my own hands. Some of the swirls remind me of the first letter of my name; some of the stars, the first letter of her name, the quilty details made possible by a woman in another state. It’s good. Collaboration is good.

Snow Prayers

Last, but not least, photos for documenting the finish. New England is traditionally known for snowy winters, yet, no snow on the ground when this was done & ready to be sent. If you know me well, you know that I don’t often pray for snow. Like ever; except maybe on Christmas Eve, then not again. However, I did pray for snow the night before this photo. The cool colors of these trees, the holiday vibe & the winter forest just begged for snow. Asked & received. God is good. Today, barely a week later, the snow is mostly melted. For now. Seriously, I don’t want to jinx myself!

All Done

When I woke to snow, it was a good day. There, I said it. I was happy with this weather. My husband always helps with photos and if you look closely, you can see that he walked AROUND the frame so that his big footprints wouldn’t be tracked into the photo. Bonus, I didn’t even think of it, but he knew. Well done, hubs!

Holiday Hills #2 is now at home with Tammy. She un-boxed her gift on her instagram stories @whitelilacfarmhouse and her reaction literally brought me to tears. Her crying, my crying…her jokes about how “Stacey really taped-up this box” (if you know, you know). It was funny even through our happy cry fest. That unboxing moment is why I do this. I want my family & friends to feel loved. Geography doesn’t allow me to be with all the people I care about on a regular basis, but sharing something handmade, one of a kind, and made with love, can transport us across the miles. I’m so thankful for the opportunity to be able to share this skill/hobby/interest of mine with those I care about. Tammy, remember it’s meant to be used. Use it, love it, wash, dry and repeat.

Enjoy…..

All photos and content property of Two Terriers Studio; not to be duplicated or shared without written consent of the author.

Holiday Hills Quilt

Published on November 10, 2021 by twoterriersstudio2 Comments

I’m BACK!

I’ve been a little quiet in this story telling space, but today is the pattern release day for the Holiday Hills Quilt and time for me to get back to the writing of these quilt stories. As the leaves change from vibrant green to red, yellow and now a tinge of orange, it’s clear winter is on the way. It’s perfect timing to prepare for the holidays and handmade gift giving, or to even make something festive for yourself. Truth be told, I will most certainly be keeping this quilt for my family.

A New Quilt

I was fortunate to work with Raye, thehomebodyco.com, who designed the Holiday Hills pattern. She began the initial discussion with testers in 2020 and as you might imagine, there were a few other things that needed attention in that crazy year. Quilting was certainly a positive distraction, but when you’re offering a product to so many people, distractions may not be the best element in the equation. Fast forward to 2021 and this quilt was entirely worth the wait. While we all wanted to go-go-go in 2020, it was wise to settle in and wait; make it perfect. It is well-written, with precise details, easy to make and might I add, FUN.

I have been mindful of “sewing from my stash”; Lord knows I don’t NEED more fabric, as fun as it is to shop and add to my collection. I did want to make a quilt with a traditional color scheme, so I headed straight to my Christmas bin of textile goodness. I pulled this collection, called Merrily by Gingiber for Moda Fabrics. Adding in some coordinates by Cluck Cluck Sew and Sweetwater, I was all set. Let the cutting begin.

There’s always something a little delightful about seeing these fabric trimmings piled together. It’s a sign of what’s to come, but also indicative of little waste, which is a good thing!

A Forest in the Making

Seriously, just having these beauties lined up on my cutting mat was the inspiration I needed. I could already tell how much I would love this quilt.

The Backing

If you’ve been around here for very long, you have seen the photos and heard the stories of all the creatures, great and small, we see in our neighborhood. The black bears seem to be the ones who garner the most surprise and awe, but we also have almost daily visits from deer; the occasional bobcat sighting, and often the hooting of an owl in the trees behind our home. It continues to be magical, if not also frightening at times. I mean, nobody wants to find themselves 15 feet from a bear without any warning (and it happens!). Long story long, that is what drove me to purchase several yards of this fabric. It looks and feels like home. I was shopping with my daughter and stopped the moment I saw this bolt, “isn’t this perfect?” Her reply, “what are you going to do with it?” I had no clue in that moment, but the pine boughs, deer, owl and vibe of it, drew me in. It came home with us that day! I knew I’d figure something out & that it would be used and loved.

A Pieced Quilt Top

Another common thread is my love for summer. It might seem odd that I was as thrilled as I was to dive into a winter holiday quilt. It’s not hard to be excited about changes when things go smoothly. That smoothness isn’t always the case, but in the wait for this pattern and seeing how well it all came together, I was mostly on board for letting summer fade away to focus on the next thing.

Quilting, Edge to Edge

If I’m quilting a small item or baby size quilt, I’m comfortable with doing that on my domestic machine. This quilt’s size and my vision for the pantograph meant sending it to be professionally long armed. This quilting work was done by Jenn at knottedthread.com. It’s exactly what I imagined. The ornaments give a feeling of snow and wind gusting through the hills of trees, but also a nod to favorite Christmas decorations. It finishes the “story” perfectly, in my opinion.

I’m staking claim to this one, for snuggles by the fireplace this holiday season. It’s a simple theme, but each element ties together feelings of home for me. To think the fabrics were purchased years apart and that the pattern was a year in the making, it was just meant to be. Timing is everything, correct? I think timing worked out pretty well on this one.

Pattern Release

The Homebody Company is releasing this pattern today, November 10, 2021 for purchase. You’ll find this quilt in both printed and pdf versions, as well as an extension for making a pillow and even a paint-by-numbers kit. It’s a win-win. Special thanks to Raye for including me in the tester team. It’s always a joy to work together!

Holiday Hills Quilt, by Stacey at Two Terriers Studio

Thanks for stopping by! More projects coming soon.

This is not a sponsored post; all opinions are my own. Content not to be copied or distributed without written permission of Two Terriers Studio. All data and photos property of Two Terriers Studio.

Urban Light Quilt

Published on July 5, 2021 by twoterriersstudioLeave a comment

What’s the saying, “better late than never”? That applies to this post! The timing of my blogpost has nothing to do with my enthusiasm for this pattern or quilt. I finished the quilt top MONTHS ago, but I’m just now getting around to showing the final project.

In the spring of 2021, I was asked by Karen, http://www.bloomingpoppies.net to test this pattern, the Urban Light Quilt. When I saw her mock-ups and how the color choices influenced the overall design, I knew immediately I wanted to make this. Not to mention, just wanting to work with a designer who loves improvisation, like I do.

I pulled from my fabric stash and settled on this Catch & Release collection by Art Gallery Fabrics. More than 2 years ago, I sewed for the AGF Look Book & Blog party, and at the time I was so obsessed with the designs, I purchased several yards of each fabric after the maker projects were done. I’ve hoarded it a bit over the past couple years, but finding ways to incorporate it into new quilts has been nice.

The Urban Light Quilt comes in 5 sizes, I made the large throw. One thing to note about this quilt is that the blocks are large, they repeat and make for a fast finish. The cutting instructions are very easy to follow and if my memory serves me correctly, I was able to put this together in just a couple days. I preface that with the reality that I have few distractions and blocks of time each day to sew. In any case, it’s not a pattern that will take much time given the design and overall block size.

There are traditional elements like flying geese in this design. I love the no-waste approach. I did incorporate text fabric in my quilt and while some of it “reads” correct, directionally, I decided to not be too fussy about the blocks individually. With this particular print, the text is multi-directional on it’s own, so there didn’t seem to be an “up” distinction anyway. Also, with a square quilt, who even knows which direction it will be used on any given day. It all works out; don’t sweat it.

Aren’t the fish & florals just a perfect nod to summer? I think they are so sweet. There’s something whimsical about it that made me look forward to summer days.

This block, on its own, would make a beautiful pillow cover to accompany this quilt.

My favorite color is red and I chose to add a pop of this AGF Pure Elements Solid to the mix. In my opinion, it’s the perfect, clear red. I believe it’s actually called “London Red”. Favorite color and one of my favorite vacation destinations, how could it not work?

As I mentioned, this quilt top and the pieced backing were finished in the spring of 2021. Snow was still on the ground in New England, but this bright fabric was calling for summer. I really like the simplicity of the blocks, but each time I look at it, I see another element in the design that pulls my attention.

Fast forward to summer, June 2021 to be more specific, and my Urban Light is back from the longarm quilter. I brought it along on our family vacation, knowing that these water colors, fish, florals, and the patriotic feel would be perfectly photographed at the beach.

I chose an edge to edge pantograph that mimics the ripple of water. Don’t forget that the thread and this quilting is yet another element to be considered. After all the work to piece it together, I have to remind myself that there’s one more decision to be made. No time for snoozing. With so many angles, I like the smooth curves and motion across these blocks. The binding is done in a small floral, framing it all in red, white, and blue.

This is a pattern I would highly recommend and it’s available on the designer’s website mentioned above. Take a peek at her account or follow the hashtag to see the other tester’s variations; it’s interesting how color choice changes the look of this quilt. Seeing my own version, sometimes the center appears to be a floral motif, sometimes I notice the stars, sometimes it’s the POP of red. How fun to have a quilt with such dimension. I love it and hope it brings cozy snuggles to anyone who gets a chance to use it.

I’m appreciative of the opportunity to work with Karen & to have tested this pattern. I’ve worked with her again since making this one & that second quilt will be posted soon!

Happy Quilting…

All photos and content property of Two Terriers Studio; do not replicate or distribute without permission. This is not a sponsored post.

The Gravitate Quilt

Published on June 23, 2021 by twoterriersstudio2 Comments

Summer, sunshine and star block quilts. It’s a winning combination, as is this new pattern by Modernly Morgan (www.modernlymorgan.com).

Having tested Morgan’s last pattern, the Cozy Cabin Quilt, I was definitely excited when she asked if I’d test this one as well. She and I share a love of star blocks and stash-busting quilts, so I knew it would be a great project. It’s a fat quarterly friendly pattern, and I decided to cut into my Tula Pink “Homemade” bundle. In this process, I learned that accuracy is important before making the first cut. Not all my FQs were accurately sized, so I had to swap a couple in the preparation process. This pattern is designed with very little waste, so having a FQ that is too small (it happens!), is something to take notice & choose accordingly.

Block Preparation

I do use a wool pressing mat and a mini Oliso iron when pressing blocks. My family gifted both these tools to me and I use them both every single time I sew. For me, it sure beats moving to a large ironing board over & over while making blocks.

Chain Piecing

In making this quilt, I looked through each of my cut pieces and assembled piles or sets of each block I intended to make. Sometimes, I choose as I go. This time, I knew I’d be working in more fragmented sewing sessions as my calendar was a bit hectic. Setting aside all the pieces and being able to fit in a block here or there made the most sense. I definitely fell into a rhythm and the written directions are so clear and concise, I was able to pick up a block set and sew as time allowed. I’m still amazed at how quickly a quilt of this size came together, even with my studio time being less flexible recently.

Vibrant Blocks

It’s a happy moment when the points are on point!

Back-lit quilt blocks remind me of stained glass art.

I have always been a fan of bold graphics and colorful fabrics. I keep a bin of Tula Pink fabric for those moments when the feeling, “I need a BRIGHT quilt”, strike. Because I like a scrappy look and her collections are so well matched in color and tone, I find it easy to blend prints without too much worry. This particular line, “Homemade”, features all things sewing related. It’s perfect for me & my hobby-loving heart. I will say that I’m not 100% focused on directional fabric matching every single time. None of my quilts are on beds. They are all used for picnics, days at the beach, watching movies or wrapping up little babies for warmth. That being said, the directions shift with each use, so I’m personally OK with the fabric facing different (all?) directions. Of course, if there is a specific need for it to be directional, I make that effort; it mostly applies to text print. It’s fair to say, I’m not overly fussy when I know it’s a quilt I’m keeping for myself or my family.

The Quilt Swirl

Once all the blocks were made and the quilt top was pieced, it had to be a quilt swirl! In addition to my love of quilting, I also have a sweet tooth. This type of swirl is all the beauty, none of the calories. How could I resist?

As you can see, I blended a few collections here. Homemade, Pom Pom, True Colors and Curiouser & Curiouser. For those of you who may be new to fabric acquisition, my one bit of advice would be to choose a favorite fabric and buy enough of it for a quilt backing at the same time you buy a bundle. I didn’t always do that & now I have a stash of beautiful fabric bundles or precuts or maybe even smaller yardages, but not always a piece large enough for a large backing. If matching matters, this is a helpful tip. If not, ignore it. For my Gravitate Quilt, I wanted it to be cohesive. Thankfully, my local quilt shop had just stocked this newest line of prints and I was able to purchase enough to finish my quilt. They did not have yardage of the other collections. I’ve been working very hard to not purchase new fabric until I use more of my existing fabric; Lord knows I have enough already.

Off to the Longarm Quilter

This quilt was quilted by Jenn, @knotted_thread, on Instagram. I cannot say enough good things about her skill and customer service. She is responsive, reasonably priced and I’m happy with the finish work she did on this piece.

Binding Time

I anticipate this being a well-loved (ie – often used) quilt, so I opted to machine sew the binding. Most of the time, I machine sew to the front and hand-bind to the back. With this one, it’s all machine sewn. It’s a little stressful for me, because I know hand-sewn is more precise and “hidden”, but I also know I can only get better at machine binding if I actually practice. Finding a good thread match is key; especially in the learning stages.

Ready for the Close-up

The Gravitate Quilt; pattern by Modernly Morgan. Pieced by Stacey, Two Terriers Studio.

Thank you, Morgan, for including me in this pattern test. I’m already envisioning this in different color-ways and looking forward to making another. Special thanks to my HHQ, “husband holding quilts”. He so willingly helps me scope out locations and keeps my work from getting dirty, or in this case, sea soaked.

If you’re looking to make a star block quilt, definitely check into this one.

Happy Quilting!

Scenic Road Quilt

Published on April 17, 2021 by twoterriersstudio1 Comment

When we think of Scenic Roads, it may bring memories of wide-open country spaces, city skyscrapers, or rocky cliffs with an ocean on the horizon. Each of us has a different place we consider scenic or that calls for us when we need space. When I think of scenic roads, the very first vision is that of a particular bridge that leads into one of my family’s long time summer get-away towns. Crossing that span, windows down, arms out of the car, inhaling the salty sea breeze equals summer and time together. It is a blessing.

I was asked by Amanda, of www.artbycritter.com, to test her Scenic Road Quilt pattern and when I learned the back story, I was all in. Her father created a real, wooden barn star, that now hangs on a barn at the corner of Scenic Road and Hubertus Road in Hubertus, Wisconsin. This quilt design was a tribute to his work and a collaboration for them in the form of this quilt. Having grown up in the midwest, and visiting farms of my own extended family, this concept and design rang true for me in many ways. I remember the drives down gravel roads, the barns, the barn stars. I also thought of how fortunate I’ve been to see so many places across the USA and how each is scenic in its own way. Family, special places and horizons meshed into a quilt? Yes, please!

Fabric Selection

For my version of this quilt, I opted for solid fabrics that remind me of the shore. The blues, greens, gray and a hint of pink are all reminiscent of sunsets across a sandy beach. I spent the first 18 years of my life, land-locked in the midwest, but the ocean is where I feel most at home. This quilt design and these colors seemed a perfect union of those two things. I also realized this would be my first-ever, all solid fabric quilt top. I tend to lean toward bright colors and graphic prints, so this was a new scheme. I selected fabric by Art Gallery Fabrics http://artgalleryfabrics.com from their pure elements collection. The drape of this fabric is perfect. So smooth and easy to sew. It makes for a dreamy finish.

Building Blocks

Even the “inside” of a quilt brings beauty. We so readily focus on the finish, but all great quilts start with a precise and solid foundation. I’m the first to admit, I like a quick to finish project. However, I’m slowly learning to enjoy not only the joy of that last stitch in a binding, but the measured and precise steps along the way. It all adds up, so I’m slowing down & enjoying the journey.

A Completed Top at Hillstead

Once my quilt top was complete, I wanted to get it photographed. I was so happy with how it turned out and couldn’t wait to share. Finding a place in New England in the spring became a little challenging, because Mother Nature was delivering the wind. Lots of quilt-whipping wind! My husband helps me with every photo shoot and I was so thankful he had a good grasp on my work as we moved from place to place looking for stillness. This may have been day 2 or 3; the first day sent us home pretty wind-blown; toting a quilt that needed another pressing.

I love this shot taken at the Hillstead Museum. A beautiful home, now a museum, is the first architectural project of Theodate Pope Riddle, the fourth registered female architect in the USA. She is an early proponent of historical preservation and caretaker of the family art collection. I thought it a fitting scene for this project

Quilted

This is a large quilt, so I had it professionally long-arm quilted by my friend, Deb, of Owl Quilt It. I think she did a wonderful job and I really like the edge to edge design that swirls though the straight/geometric blocks. It reminds me of leaves, the wind and if I look just right, an “S”, which is the initial of my first name. I truly try to tie it all together with my projects, from the pattern to the final stitch.

The Finish

Ta-da! It’s all done. I’m thankful for the opportunity to have been included in this pattern tester group and I’m happy to add this to the collection of quilts that will stay with my family. The large blocks, simplicity and accuracy of instructions lead to a quick finish and a quilt I love.

Today, April 17, 2021, the pattern is available for purchase. Amanda has designed a limited edition art print and a sticker that are also available for purchase. Look at her Instagram account (@quiltsbycritter) for the link in her bio for these items. Proceeds from the limited edition print will be donated to @mentalhealthamerica.

I hope all roads lead you to places of joy, health & prosperity. Thanks for being here to see my version of the Scenic Road.

Enjoy & happy quilting!

All photos and content, property of Two Terriers Studio; not to be duplicated or shared without written consent. This is not a sponsored post. (I wish it were!)

Cozy Cabin Quilt

Published on April 14, 2021April 14, 2021 by twoterriersstudio1 Comment

I’ve often admired quilt patterns by designer, Modernly Morgan, (www.modernlymorgan.com) so when she asked if I’d test this latest design, it was an easy “YES” from me. Morgan and I both have a love of scrappy quilts, so I was excited about the opportunity to work together. This pattern comes with instructions for three sizes – Baby, Throw and Bed. I made the 60″ square throw size.

Let’s just say, this pattern is a keeper.

The Making of a Quilt

Cozy Cabin is a modern twist on the traditional log cabin quilt block. The scrappy element is just a bonus, in my opinion. For my version of this quilt, I pulled a fat quarter bundle by Windham Fabrics www.windhamfabrics.com, designed by Amy Gibson, called Meriwether. The variety of florals, plaid, text, and blenders seemed the perfect foundation for this project. It’s bright and has a spring-like feel; just what I needed after a long winter.

I wouldn’t call a fat quarter bundle, “scrap”, in this case, it was “stash”. I purchased this collection a while back and saved it, knowing the right pattern would come along. Enter Cozy Cabin! When I first purchased this bundle, I didn’t have a pattern in mind, so I hadn’t accounted for the backing or binding. I consider myself very lucky that my local quilt shop had bolts of yardage, in stock, when it came time for me to finish the quilt. With the variety of colors and prints, I could have found a different fabric or collection to coordinate, but I’m thankful to have been able to keep the entire quilt in the Meriwether collection.

Half Square Triangles

Squaring up half-square triangles is an act of patience and accuracy. I actually prefer when a pattern has a little “wiggle room” in the measurements so that I can square-up to a perfect size, but I also like not having a lot of waste. This pattern calls for scant 1/4″ seams and as you can see, produces blocks with little waste.

Building the Blocks

Once the HSTs were made, I organized my remaining pieces into sets that would become one quadrant of each block. This step made it easy for me to pick up a set and sew as time permitted, even if I only had a few minutes between other obligations. The accuracy of the pattern made testing it a breeze. I was able to move through the sewing without issue.

This quilt came together so quickly. It’s a combination of the same block, repeated and rotated, throughout the layout. Once the pieces are cut and the HST trimmed, it was a lot of chain piecing for efficiency. I don’t tend to overthink blocks if I’m creating a scrappy look. Loving all the prints and knowing they work together certainly takes some of the worry out of the process for me. I had no doubt it would be cohesive.

I like the rotation of the blocks as it allowed me to think about the placement of pieces with text/font and how it would “read” once completely assembled. Additionally, if this were being made with a truly scrappy style, you could make each block independently with small pieces of fabric and make quite a dent in your scrap stash.

The top is pieced & swirled. This is the kind of cinnamon roll-like swirl that is calorie free! Look at all those delightful colors coming together.

The Finished Top/Front

There is always something fun for me in photographing a completed quilt top. My husband helps me every single time & thankfully, he’s tall and can keep them off the ground. To stand back, and see my effort and time spent creating a quilt, is gratifying. I think about the pattern, the designer, the fabric choice and how it tells a story. Seeing it from a distance also shows the secondary pattern; do you see it? Not just the stars, but the bands, joining the blocks. In our home, quilts are made to be used and loved. Seeing my favorite people enjoying something I’ve made makes it even more special.

Longarm Quilting and Binding

With this being a larger, 60″ square quilt, I opted to have it professionally quilted. When I make baby quilts, I feel more confident quilting them on my domestic machine, but I opt for straight lines and nothing too fancy. There are so many edge to edge designs available and I think this decision is one of the hardest for me to make in the entire process. Once it’s quilted, it is what it is and all the layers and seams are connected. It has to be right. I never want to get this close to the finish line and wing it. I used a 2.5″ straight cut binding and finished it by machine. Lately, I’ve been doing more binding by machine than by hand, because it takes practice and I’m comfortable practicing on quilts I know I intend to keep. Quilts I gift, those are mostly done with hand-stitched binding.

Here’s a closer look at the quilting pantograph. It’s an edge to edge design called Modern Twist.

Fabrics with text, fonts or inspirational messages are among my favorites. I wanted to include a large section of this yellow fabric in the quilt back, as well as using it for the binding. The evenly spaced rows of words almost give the binding a subtle stripe.

I enjoyed making this quilt & 100% plan to keep this one for myself! It’s a pattern I’d recommend and I think when you see the designer’s version and the other sizes and fabrics chosen by the team of testers, you’ll see that it works well in all colors and themes. Take a minute to visit Modernly Morgan on Instagram (@modernlymorgan) or her website, shown above, to purchase your own copy of this pattern. It is being released April 14, 2021.

Enjoy and happy quilting!

All photos and content property of Two Terriers Studio; not to be duplicated or shared without consent. This is not a sponsored post.