Garden Paths Quilt

It’s now May 2021 and I’m ready to be outside, enjoying all the spring gardens have to offer. Coincidentally, it’s also pattern release day for this latest quilt, designed by Brittany Tunison for White Plains Quilts. Meet the Garden Paths Quilt!

When the opportunity to test this pattern came up, I had zero hesitation. All of Brittany’s patterns are well written and make creating a unique quilt a breeze. I had recently seen a fabric by Art Gallery Fabrics http://www.artgalleryfabrics.com called “Little Clementine” and it was the catalyst for this color scheme. I was drawn in by the whimsical graphics of animals, florals, lettering, bicycles and more. The peach and plum colors are a bit out of the box for me, but I really love this print. I asked Brittany to “kit” fabric for me using this and a floral by Amy Sinibaldi for Art Gallery Fabrics called “promenade plum”. I could not be happier with the outcome.

Trimming

This pattern is heavy on the half-square triangles, probably best suited for an advanced beginner or someone who is interested in mastering their HST skills. I mean, I’ve made hundreds (thousands?), of half-square triangles, but there’s always room for improving those points, right? I think back to the early days of my quilting journey, about a decade ago now, and remember thinking, “Do I need to trim all these dog ears?” The answer is YES. It may not seem like much, but squaring up blocks is important and that little bit of excess over the entire quilt does add up to a lot of inaccuracy. Just take the time to trim your blocks, if you’re not doing it already. Added bonus, look at all that fabric confetti goodness.

Matching points…game on

I like to press my block seams and see all the pieces lined up along the way. Sometimes progress is slow, but having pretty fabric and little piles of finished pieces is motivation for me.

Block Assembly

Two blocks for one quilt

The Garden Paths Quilt is designed around two block structures. You’ll make a different quantity depending on the size of the quilt. In this case, the baby quilt I made was relatively fast to assemble. This pattern comes with instructions for three sizes: Baby, Throw and Twin. I opted for a bleached white background, but now having seen other tester’s quilts, as well as the designer’s quilt in a dark background, all color combinations are stunning.

Long Arm Quilting

I had this quilt professional long-arm quilted by my friend, Deb, of Owl Quilt It. I’ve said it before, but choosing the motif or pantograph at the end of the piecing process, is often the hardest choice for me. This is a baby quilt, but the colors are not specifically “baby”. There are beautiful graphics in the fabrics and I wanted to highlight the theme and name of Garden Paths. When I saw this design, I knew it was right. Notice how the leaves and berries so closely mimic the florals of the Little Clementine fabric? No doubt this was what I was looking for in the quilting. 99% of the time, I opt for a white thread; I want it to blend into the quilt, and not be distracting. This one will get cozier with each wash & tumble dry!

I like dense quilting. Some quilts lend themselves to more open stitching, but I like it when my quilts have a little tighter sizing on the edge to edge quilting.

The Finish

Even my husband noted how much he likes this quilt. He’s my sidekick when it comes to photographing quilts, but also the one cheering me on along the way. He’s seen plenty of bright, bold, graphic prints and colors, so this one really got his attention. He said, “this isn’t usually what you choose, but I really like this one. I wouldn’t have thought I’d like it so much, but I really do.” Go figure….it’s OK to step outside our comfort zone of color!

Garden Paths Quilt featuring Art Gallery Fabrics

Quilt Backs

The Pieced Backing of my Garden Paths Quilt

If you follow me long enough, you’ll see a pattern of pieced quilt backs. I LOVE them. I do think there’s a beauty in a single fabric background, but I see the quilt back as one more chance to make something unique…it’s good “real estate”, if you will. You never know which side will be right side up when getting wrapped or cuddled with a quilt, so I want the back to be interesting too. It’s a good way to use any leftover bits and pieces that indicate what is found on the other side. You can see the Little Clementine fabric here, in all it’s glory. How sweet is that? It makes me smile. Oh, don’t forget to label your quilts! Artists sign their work; quilters should too.

All done…

The Details

This pattern is available beginning today, May 4, 2021 from http://www.whiteplainsquilts.com. All orders placed there today will be entered for a drawing to win $20.00 in shop credit. Patterns from this site will be discounted 20% until May 7, 2021. Brittany will also have limited quantities in quilt kits available, so shop early if you’re interested. This is not a sponsored post; I’m sharing these details so that you, too, can make this beautiful quilt pattern.

As I mentioned, I’ve used fabrics from Art Gallery Fabrics in prints and pure solids. This is also not sponsored by AGF (but I secretly, not so secretly, wish it were!). The feel of their fabric is delightful. The drape is something you just need to feel.

Thanks, Brittany, for including me once again in your team of pattern testers. I enjoyed it & I’m so happy with this fabric pull and finished quilt. I’m adding it to my collection of favorites!

All photos and content are property of Two Terriers Studio and not to be copied or distributed without written permission. This is not a sponsored post.

The Londoner Quilt

I remember, as much of the world does, watching Lady Diana Spencer become Diana, Princess of Wales. Yes, I woke at 4am to watch the Royal Wedding, before heading off to school. Don’t judge, maybe it isn’t your thing. I wasn’t a princess & fairytales kind of kid, but this was entirely different. I had never seen anything like a royal wedding and I found it all quite fascinating. In the process, I fell in love with images of the UK; the castles, the countryside, the hustle and bustle of the city, the “proper-ness” and even the music scene. It seemed a world away and I really liked it. I had no first hand knowledge, but I wanted so badly to go see for myself.

Fast forward a few decades. I traveled to London with my husband and children, after I’d waited so long to see it all in person. It was even better than I anticipated. The feeling I had about this place was etched in my mind and being there was exciting. We walked or used the London Underground for all our transportation. Those rings became a new symbol for my “London Story”. One aspect that was new to me since that fairytale wedding years before, was that I had become a quilter. A new stop on the “to do” list became Liberty of London. WOW. What a store. A fabric haven, if there is such a thing. In London, no less. That stop made me look at fabric and florals differently than I ever had before.

Why all the backstory?

It may not the be case for everyone, but creativity in quilting, especially for me, comes from a feeling. I don’t know that I can perfectly explain it, but it’s never just the pattern or the fabric. It’s not the desire to work with a specific designer or fabric collection. It’s ALWAYS a feeling for me. A connection to something personal, a memory, a spiritual significance, a reminder of someone or some place; it’s the story. I work best when it all connects. All aspects ultimately count, but I’ve tuned in to that little voice or emotion and what I’ve learned is that my favorite quilts come from tying together the story.

A New Quilt Story

The Londoner. When I saw those tell-tale, iconic symbols of the underground transit system of London in a new pattern, I was all in on making this quilt. London. Yes, please. This is a must make.

The Londoner, by Two Terriers Studio 2020

This pattern by Megan Lopez, founder of The Athena Workshop (www.theathenaworkshop.com), was a delight to make. Do not let the sewing of curves derail you. She has designed these blocks with detailed instructions and room for squaring up to achieve precision in the finished block.

Sewing curves tip – pin & go slowly

I opted for non-traditional colors, as we know the London Underground symbol to be red & blue. There are hints to the original colors and circular pattern, so it clicked for me as a lovely option for a baby quilt.

Pin, Pin, Pin

If you’ve ever sewn with me, you probably notice that I don’t often pin straight seams. That is not the case when I sew curves. All the tips & tricks are in the pattern, but squaring up the edges, pinning the center, and sewing slowly works well for me.

One thing I vividly remember from my visit to London, are the expansive gardens and so many beautiful flowers. These prints are a nod to the colors of the original symbol, and my memories of the flowers. The yellow cross bar echoes the circles as well, although in reality, it would be a solid red.

Once the quilt top was pieced and a backing chosen, I made the binding. This plaid turned out to be a fun frame and matching the patterns at the joined seams was a challenge I set for myself. Let’s just say, sometimes you win, sometimes you rip seams & start again.

Binding

The last step of the pattern is how it will be quilted. I wanted to have this professionally quilted or “longarmed”, so I had a few more design options available than what I would be able to do on my domestic machine. In keeping with those feelings and memories of London, I chose an edge to edge design that reminded me of a subway map. Those tracks are never straight lines, they do go around corners and often intersect and look at bit haphazard.

Edge to edge quilting by Deb, Owl Quilt It
My Finished Londoner Quilt, Two Terriers Studio 2020

It may be small, but it is mighty. The memories, the flowers, the freedom of travel, the TUBE, and now the quilt. What a serendipitous moment to have it all come together for me in this quilting project. I am so grateful for the opportunity to work with Megan and to have tested this pattern before its release to the public. Her story of London and her current work outside of quilting are an inspiring read. I am moved by the final few pages of her patterns. Let’s just say, she is not only sharing her love of quilting and design, but she is working to help others who may need resources and assistance out of incredibly difficult situations. The power of giving back and helping other lies within all of us.

Not quite the London Underground, but special thanks to my husband for helping with quilt photos

This quilt pattern has options for crib, throw, and bed sizes. It is also fat-quarter friendly. Today, 12/4/20 through 12/6/20, you can find this pattern and all other @theathenaworkshop patterns on sale for 20% off. If you love all things UK or consider yourself an “anglophile”, I’d suggest adding this pattern to your collection. I enjoyed making it and I’m inspired by the original color schemes and those the other testers have been posting online. On Instagram, follow the hashtag #londonerquilt.

I “may” have already purchased some London themed fabric to make a larger version to keep for myself. We can’t leave out those red phone booths, crown & scepter or Stonehenge, right?

While my version came together based on my personal love of London and tying it together into a quilt, let your creativity and your story drive your quilting endeavors. Quilts are the embodiment of love. How will you tell the story?

All content and photos property of Two Terriers Studio and not to be shared or duplicated without written permission. This is not a sponsored post; just a reflection of my own thoughts & sewing.

Firefly Cabins Quilt

Have you ever purchased fabric for one project and when you finished, you wished you had more yardage for something else? This Big Sky collection by Annie Brady for Moda Fabrics is that fabric for me. The first time I saw it, the nature scenes, animals and colors just grabbed me, but I didn’t have an intended project. My yardage choices were random, because I didn’t really have a plan, but I knew the right thing would come along. I didn’t want to miss out on this beautiful collection. Fast forward a year (or more) and the Firefly Cabins Quilt pattern by Brittany Tunison for White Plains Quilts came my way. I knew right then, that this was the pattern for this fabric I’d been saving.

There’s something to be said for simple, efficient patterns. Firefly Cabins is an efficient, yet still so interesting pattern, in my opinion. I like to sew or create most days, and sometimes, being able to quickly put a quilt or gift together is just what I need. I never want my work to look rushed or half-done, but I often have so many things in progress, that the one “simple” finish is a blessing. What I like about this pattern is the repetitive nature of the blocks, the ability to showcase the fabrics in larger swatches and the option to chain piece. There is a time investment in cutting, and we all know that the best cutting accuracy leads to the best finished product. However, because of these block designs, once the strips are cut, chain piecing fits right in for a rapid finish.

As most of my readers probably notice, I choose and use bold prints far more often than solids. I am slowly learning to incorporate low volume prints and solids into my fabric stash and luckily, this Art Gallery Fabrics Pure Element Solid in “Honey” was the perfect match. It’s just what I needed (and fortunately, already had!).

Firefly Cabins on a beautiful fall day
Firefly Cabins by Two Terriers Studio, November 2020

Another feature of this pattern are the center set blocks which would be perfect for fussy-cutting a favorite image. Mine aren’t necessarily fussy-cut, but the repetition of animals in the largest blocks makes me smile.

Longarm quilting by Deb, Owl Quilt It

I send a lot of my quilts to be longarm quilted, since I’m not always 100% thrilled with my own quilting on a small domestic machine. I do quilt my own, when the project is smaller or I think I’ll be happy with straight line stitching or a simplistic design, but more often, I lean toward a theme and need some talent from other professionals! This leaf theme, edge to edge design, was just the ticket. It mimics the fabric design and pulls in that feel of nature. If you look closely, you’ll see that the thread choice is a pale yellow. I rarely venture into colored thread for quilting, but Deb of Owl Quilt It, encouraged me that this would be a good choice and she was exactly right.

Binding by machine, not hand, this time.

I opted to bind this quilt by machine, rather than my “go to” hand-binding. I have a funny relationship with quilt binding. I want it to be perfect, but I also want it to be DONE. By hand is always more precise for me, but I recognize the only way I will improve in machine binding is to do it & practice. What’s that saying about 10,000 hours? Goodness, how many quilts would it take to fill 10K hours of practice?

All Done…Firefly Cabins Quilt by Two Terriers Studio

Finished. This quilt has a pieced backing with the Moda Bleached White, and two prints from Big Sky. The binding is also a third color-way of the Big Sky leaf motif. A single piece backing is clean & neat, but I also like to think of the back of a quilt as an option for more interest and a hint of what might be found on the front side. It’s almost like two quilts, literally bound together.

The pattern for this quilt can be purchased from Brittany Tunison (@brittanytunison) on Instagram.

I’m curious if you purchase fabric you love first and then find the project, or only purchase with a project plan in mind. Tell me in the comments! To be honest, I’m a little bit of both.

Happy quilting…

All photos and content property of Two Terriers Studio and not to be duplicated or shared without written consent.

Hooked

Hooked. I don’t know how to crochet, and I can only sort of knit, but this fabric collection by Mathew Boudreaux, aka Mister Domestic, had me hooked the minute I saw the sheep. Well, the sheep, the text, the readers, the florals. OK, I like all the colors too. Sign me up. Working again, for the third time with the Mister Domestic Master Maker group for a fabric collection blog party release was a lure too. As is Art Gallery Fabric. Have you felt it? It’s magic and sews up beautifully. “Hooked”; it hooked me.

Hooked, a collection by Mr. Domestic for Art Gallery Fabric

When I thought of Hooked, it obviously brought to mind visions of crochet & knitting projects. What does every yarn enthusiast need? A project bag. I mean, yarn and hooks are portable, so a unique and handmade bag is in order. I think the most challenging aspect of the project was deciding which fabrics to use. The pattern choice came easily as I’d been admiring the Juniper Basket, by Svetlana Sotak of sotakhandmade.blogspot.com. Her patterns are so well written and easy to understand.

The Juniper basket; made by Two Terriers Studio 2020

This Juniper Basket comes in two sizes and features an interior patch pocket and an exterior zipper pocket. The handles at each side, in addition to the drawstring closure make for several interesting design elements. I opted to make my own drawstrings from one of the prints in the collection, but this could easily be swapped for cording or a decorative ribbon. When I’m working with a new fabric collection, I’m inspired to incorporate as many fabrics as possible. I like to show as much of the artist’s work as I can. This basket fit the bill perfectly; I used six different prints in this one project.

Juniper Basket
Pockets are a fun place to add an element of surprise

Once the Juniper Basket was complete, I knew I wanted to also tie my love for quilting into this blog party. I believe winter crochet projects are made better by snuggling under a handmade quilt, right? We all love a good quilt, don’t we?

Large blocks to highlight the intricate designs

New fabric collections are a fine time to let a quilter’s talent shine. I looked at many intricate quilting patterns and kept coming back to the idea of letting the fabric speak for itself. To me, this collection has several stories of its own; between the sheep, spectacles, historic crochet blocks and more…it made sense to let that be the forward message. I also wanted bigger blocks so that the images had more space to be seen.

Time to bind

The pattern I chose is called Star Light Star Bright, by Craftsy. I’ve had this pattern in my “things to make someday” notebook; someday became NOW. Meet the merging of the pattern I’ve been saving with the fabric that has just arrived, courtesy of Mathew. I’ll let you in on a secret. That green solid fabric shown above…it’s an Art Gallery Fabric Pure Elements solid. Look familiar? It coordinates with Mathew’s last collection, “Playroom”, for which I also made several projects. I didn’t think anyone would mind if I added an earlier 2020 fabric into this new quilt. Honestly, I think it matches perfectly with those little highlights in the crochet blocks. It’s also what I do; blending past & present. I like the fact that his collections coordinate and are cohesive, when you see them lined up against each other.

Star Light Star Bright Quilt

Here’s another not-so secret, secret. I like a crinkly textured quilt, that just gets more cozy with every wash. I’ve yet to wash this one, but look at that texture. Do you see the sheep? Hello little cuties. While I’m not personally looking forward to chilly winter nights, I am looking forward to sitting under this quilt.

Hooked, on a glorious fall day

In addition to the AGF Pure Elements solid in Warm Wave, I added Pure Elements in Snow for the corners of the star block. I wanted it to “pop” against the other prints. I think it’s just enough of a frame to let the other colors shine. I backed this quilt in the sheep print, “wool origins”. It’s precious.

Star Light Star Bright Quilt and Juniper Basket made by Two Terriers Studio, 2020

I’m thankful for the opportunity to work with such talented makers, fabric designers and fabric manufacturers. It truly is an aspect of sewing and quilting that I never could have imagined just a couple of years ago. Artists continue to create new designs and my fellow makers encourage me and one another; they raise the bar in a way that is inspiring. You all push me to be better. Thank you.

Mathew, thank you again for this fabric. I appreciate it and had a lot of fun sewing for your latest collection release.

Nothing Left Behind

Improvisational blocks

UFOs. Does the mere mention of UFOs bring up visions of spacecrafts and beings from another galaxy? A favorite sci-fi movie? The utterance of “UFO” in the quilting community may leave you with a sigh or a head nodding in agreement, “Yes. I have UFOs. You, too?” I’ve yet to meet a quilter without one (too many) UFOs. We group them by stages of progress, ideas on paper or those remnants of half-finished dreams, lurking in a sewing room, waiting for attention.

UFO, the Un-Finished-Object.

There are ways to address this phenomenon. Resume, rework, rehome. Depending on the project, it may mean resuming when time & enthusiasm allow. You can also rework that project into something new or just rehome it. Rehoming may be the best option if you can’t see finishing it, but also don’t want it to go to waste. There’s no shame in passing it along to another maker who may have the perfect vision, time and interest in bringing it to the finish line. One person’s trash is another’s treasure. You know the saying.

For those who know me well, you know I LOVE a good scrappy project. I keep the bits and pieces left behind from finished projects and try to rework them into new things. I have a hard time letting go of fabric or other notions, as I don’t want to be wasteful. I know small scraps aren’t for everyone, but an experienced quilter once told me, “you know, your scraps cost the same per yard as the full yard.” WOW. One sentence has stuck with me for almost a decade. I REWORK whenever I possibly can.

Lotus Blossom Quilt, 2020

Earlier this year, I made this crib quilt and had quite a few scrap pieces leftover. You can read the full story, Lotus Blossom Quilt, in an earlier post. This ombre confetti dot is such a vibrant and fun fabric collection, those scraps went into my “save” pile. How on earth could I let them go?

Improvisational block by Two Terriers Studio, 2020

When I rework fabric scraps into something new, I often start by sewing strips into improvisational blocks. I don’t always have a plan or reason behind the placement, sizes or angles. My approach is to just use what I have and square it up later. If the choices worked together in a quilt or other project, they will likely work together in random order. I don’t overthink it. The goal is to finish.

More improv

In this case, I compiled four, relatively similar sized improvisational blocks and decided to turn them into zipper pouches. In addition to quilting, I enjoy making bags of all shapes and sizes and the zipper pouch is a favorite. These small, quick projects allow me to organize things into cute, handmade accessories! A zipper pouch is good for storing cosmetics, electronics cords, art supplies, face masks and whatever small items you may want to group & carry along. I literally have a shelf with zip pouches lined up, one after the next. They are filled with hand-sewing notions, EPP templates, fabric and glue sticks, one with masks, another with wonder-clips. It helps me to be organized.

Zipper Pouch Progress

Once the scraps were sewn into “new fabric”, I chose coordinating YKK zippers, fusible fleece, lining fabric and went to work. Rework, actually. What’s also cool about using these leftovers is that nothing is left behind and the pieces bring the history of the original project. When I see these finished pouches, I not only like the pouch, but remember the process of creating the original quilt.

The final four…for now
Improv pieced zipper pouches by Two Terriers Studio, 2020

While this addresses “Rework”, I have projects in the resume and rehome categories too. My personal goal for 2020 is to FINISH all my UFOs before January 1, 2021. I’m becoming better about letting things go and rehoming fabric to other maker friends. It makes me happy to see what they create with fabric I purchased. Often, it’s not even close to my initial idea and that is so fun to see, when it happens.

I want to thank my fellow maker, Bobbi Gentilli, @geekybobbin (IG) and http://www.geekybobbin.com for coordinating this Blog Hop for the month of November 2020. She invited and included makers in various mediums to discuss their ideas for “Resume, Rework & Rehome”. Everyone is listed below; maybe you’ll learn a new way to address your own UFOs. May the force be with you.

http://geekybobbin.com
https://prettypiney.com/blog
https://canuckquilter.com
https://www.duckcreekmountainquilting.com
http://www.meandcoach.com
https://saidwithlove.com.au
http://sarahruiz.com
https://yoursewingfriend.com/blogs/sewing-friend-news
https://www.justgetitdonequilts.com/blog
https://snowydaysquilting.com
http://www.sunflowerstitcheries.com
https://www.blueheronquilting.shop/blog
http://sewingcorals.blogspot.com
https://www.devotedquilter.com
https://www.desertbloomquilting.com
http://www.tourmalinethymequilts.com
http://www.quiltfox-design.com
http://twoterriersstudio.net
https://cinziawhite.com
https://www.sliceofpiquilts.com
http://thebarefootcrafter.com
http://www.dragonflysquiltshop.com
http://www.quiltfox-design.com
https://quiltingmccabe.wordpress.com/
https://stitchinginheels.blogspot.com
http://shipsandviolins.com
http://katiemaequilts.com/blog
https://www.cozyfunkycool.com/
https://www.schooloflinedesign.com
http://NerdyQuiltersBlog.blogspot.com
UFOvember Participants

All story content & photos, property of Two Terriers Studio and not to be duplicated or shared without consent. This is not a sponsored post.

Golden Light Quilt

My fabric pull

Golden Light. What do you envision? Sunrise or sunset, autumn colors as they fall upon us? When I began to work on this pattern by Julia Raye Bednorz, http://www.thehomebodyco.com, I thought about how we can see rainbows and clear skies after a storm. There is golden light if we stop and look for it. It also reminded me of a time when I lived on the west coast and often carried an umbrella, because their hazy skies meant “impending storm” to my midwest rooted mind. So many colleagues would say, “you’re not in Kansas” and we’d laugh. I eventually understood the marine layer; I still had my umbrella.

The pattern includes six sizes from a wall hanging to a king size quilt. I opted to make the baby size quilt first, but having seen other versions in larger sizes and colors, I look forward to exploring those options.

Fabric by Robert Kaufman and Windham Fabrics

With strip sets, half-square triangles and flying geese, this pattern offers the opportunity to work on and improve matching points.

More rainbows

This rainbow print by Wilmington Prints perfectly complements the raindrops of the Robert Kaufman Fabric next to it. I noticed how the drops are saturated, faded and feature little stars within the “splatter”.

Golden Light, the quilt and in nature

Finished! This pattern has a lot of individual pieces, but it does come together quickly. I like how the blocks and finished quilt have primary and secondary patterns. I made mine in a two-toned palette, but there are other testers with ombre, scrappy, halloween and multi-color quilts. If you’re on Instagram, take a peek at the hashtag, #goldenlightquilt, to see the variety. It’s really impressive how we all interpreted this pattern.

Baby K

Yes, babies improve quilt photos! It may look like she’s studying the cloud themed long-arm stitching, but she might have been wondering why I was standing over her on a step stool taking photos and not holding her instead. When she’s with me, I rarely set her down.

Rainbow backing

This backing fabric is by Henry Glass Co. Isn’t it just wonderful to find fabric from multiple manufacturers that work so nicely together in a finished piece? Sometimes when I quilt or make other projects, I strictly follow one designer or manufacturer for the entire project and I love the outcome. This quilt has so many things going on and I love it too. In my opinion, when you follow your eye and your gut, it tends to work out. When I see this rainbow dot binding against the two-toned front, I think it hints at what you will find on the back. The circles mimic each other in different sizes throughout the quilt.

Again, babies for the win. Before anyone asks, no, this isn’t my baby. She’s so sweet & I’m blessed to have young neighbors.

I’m often asked if my quilts are for sale, and to date, I’ve not sold any. I have made so many for my family and I’ve made some to gift for birthdays, weddings and new babies. As I’m making new quilts, the thought does run through my mind of who I’d consider gifting it to and when I finish, it’s sometimes hard to part with quilts I love. The day is coming when it’s going to be time to unload some finished projects. How many does one person need? If you don’t sew, do you look for quilted gifts?

If you’re new to quilting, I would rate this Golden Light Pattern, beginner to intermediate friendly. Check out the designer’s website, Instagram (@thehomebodycompany) and consider purchasing the pattern for yourself. Be sure to look at the Instagram hashtag and see how versatile it can be given different fabric choices and color themes. I think you’ll be impressed by what has been created.

Little baby K and her big bow

Let’s finish with a quilt and a baby. This is truly a “Golden” moment.

Festive Forest

It’s still September, but there are Christmas trees in my studio. I am not one to jump ahead in holiday decorations, choosing instead to savor the current moment. However, when the opportunity to test a pattern for Monika, @pennyspoolquilts, came about, I gladly set aside my Autumn projects and worked on some scrappy Christmas trees. I’ve tested patterns for her before & knew this one would also be a quality project.

This particular pattern is based in foundation paper piecing, which is not outlined in the pattern, but assumes the maker has a basic understanding of this technique. I found it to be a simple FPP pattern; the pieces are easy angles and manageable sizes. No tiny piecing here.

I’ve made two projects with this pattern; each using a different template size. The first, this turquoise, gray and white table runner using the larger of two tree sizes. Compiling four blocks, alternating their “top” direction, it has become my first holiday gift to be finished for the Christmas of 2020. That seems so odd to say…I’m sewing Christmas gifts in September. That’s not a typical event for me; maybe it’s a new trend. I opted for these non-traditional colors so that I could coordinate with the recipient’s decor colors. This pattern would be lovely in a coordinated fabric pull or any variety of multi-colored scraps. The versatility is limited only by the maker’s imagination!

In my second project, I shifted the color scheme to one that is considered more traditional. If I’m going to be making Christmas gifts a few months ahead of schedule, I’m going to include gift bags! I truly think the sky is the limit in how this block is depicted; color choice could make it more or less holiday-themed. Go with bright colors like hot pink or yellow and make it a retro vibe. In a variety of greens or backgrounds of darker colors, this could easily be a woodland theme.

This gift bag is fully lined and uses the red grosgrain ribbon as a drawstring. By adding additional borders, it could be resized to suit your needs to accommodate a different sized gift. I will likely be using this size for smaller gifts and treats this holiday season.

I’m thankful to have worked with Monika again & hope readers will take a minute to browse her Instagram (@pennyspoolquilts) and website, http://www.pennyspoolquilts.com and check into the patterns and tutorials linked there. This particular pattern, Festive Forest, will be released to the public October, 8, 2020.

So tell me, do you sew for the holidays or other gift giving seasons? What’s your favorite thing to make?

The Woodstock Bag

One of the first designers I worked with as a pattern tester is Natalie Santini, of Sew Hungry Hippie. She is a gem – creative, talented, spunky, no-nonsense and always coming up with new projects. She loves COLOR and so do I. Fast forward to today…more than a year and a half since our paths crossed, and it’s release day for her Woodstock Bag pattern. Pattern Release days are exciting times. Ironic, that for two people who love bright & bold fabric, I made it in black cork and camo. It’s spring, but thanks to Covid-19, we’ve all been in quarantined/sheltered in place. Maybe there’s still a vibe of winter around here. Or you know me well and know I almost always wear black, so this matches.

The Woodstock Bag is a waist (or “fanny-pack”) style accessory, but the adjustable strap also allows for it to be worn over the shoulder. The zipper closure at the top will keep your contents secure. This design lets you move about & shop, hands-free, without the worry of setting your bag down. It is roomier than you might expect, thanks to darts, which expand the front panel just a bit.

This pattern is a quick make & I used supplies I have on hand. Notice the mixed metals, between the D-ring and the adjustable slide? I’d like to say it’s a creative design choice, but it was literally a supply availability issue. Maybe it will be a 2020 trend? Me, a trendsetter? Now that’s funny. If you’ve not sewn with cork, faux leather or vinyl, give it a try. Natalie carries a lot of these items in her shop and it’s simpler to use than you might imagine. I highly recommend a teflon foot for your machine, to minimize “drag”, but other than that, I’ve not made other adjustments in sewing cork. I look forward to making more of these in other textiles and colors, which will be posted to my Instagram account (@twoterriersstudio) as they are finished.

Take a minute and go visit Natalie on Instagram (@sewhungryhippie) where you’ll see links to her tutorials, patterns and MORE. Allow time – it’s a creative spot & if you’re like me, you might be there awhile.

I’m thankful for the opportunity to test patterns before they are released to the public. It lets me stretch my skills, finish a new project, work with other makers and incorporate my education and former career in editing. The whole thing makes me happy. Natalie, THANK YOU!

All photos and content property of Two Terriers Studio, not to be reproduced without consent. While I share what I love by other makers, this is not a paid or sponsored post.