Two Terriers Studio – Two Terriers Studio

Eastern to Mountain, Part 2

Published on May 26, 2023May 26, 2023 by twoterriersstudioLeave a comment

The Wonky Stars Quilt

Continuing on with my Eastern to Mountain, 3-part series, let’s talk about the Wonky Stars Quilt. This series is about three different quilts that are all scrap busting by nature; colorful and well-traveled. This particular one was 100% inspired by the Missouri Star Quilt Co. “Block” magazine that I received from a fellow quilter. As I’ve mentioned before, I learned so much about quilting from Jenny Doan, Founder of Missouri Star Quilt Company http://www.missouriquiltco.com. I watched her online tutorials, almost daily in the beginning, and her ‘anyone can do this’ style drew me in. She made quilting approachable and fun, so of course, I was happy to have this new book in my collection.

Wonky Stars is just that – WONKY. There’s no fussing with matching triangle points. The four patch center is about as precise as the piecing needed to be. The rest is a wash of colors and prints, free form triangle shapes and wonky goodness throughout. Making this was a relaxing experience and I immediately thought that it would be a quilt I could make over & over and never tire of the process. While Jenny’s version on the cover of her book is scrappy, as is mine, this would be fantastic in a curated palette or from a single collection. I omitted the sashing and setting squares in my quilt, but aren’t Jenny’s just an extra pop?

Gathering the Scraps

As you can see, there’s a little bit of everything in these blocks! My go-to background is a bleached white cotton from Moda Fabrics. A bright, crisp white is one of my favorites when paired with all these vibrant colors. Keeping the same white in my quilts allows my solid white scraps to match. Pulling from smaller pieces generally ensures they are all the same. Note, I said “generally”. It’s not an exact practice, as there have been a few stragglers left behind from earlier quilting days. One of those stragglers found its way into this quilt, as a matter of fact. I actually didn’t even notice the slight variation until the quilt was completely pieced and I saw it in the daylight!

Progress! I totally understand that scrappy patchwork isn’t everyone’s favorite, but I love it. It’s good to be frugal, using every last little bit of precious fabric. I like reliving the memories of so many other projects as I cut new blocks for what will be a one-of-a-kind new quilt. As usual, I didn’t have a final size in mind when I started these blocks. I kind of let the evolution happen and felt that I’d know when I’d made enough. There were moments I thought this could be a really fun & funky baby quilt, but the more stars I made, the more I wanted the quilt to be very big. So, I kept going.

Assembly

Once my blocks were finished, I cut them all to the same size which seems like a process out of order. With the focus and precision in the four-patch and the “legs” of the stars all being different, the squaring came last. Squaring up these nine patch blocks was quick & the sewing even more so.

You can really see my alternating pressing of seams here. That’s another technique I know many quilters will debate. Press to alternating sides or open? I tend to press alternately; open if the pattern calls for it. With the Wonky Stars, my alternate row pressing was just fine. I always give my quilt tops a final starch and press before they are quilted, but this one shows the first pass.

Off to the Mountains

This is where the Eastern to Mountain comes in. My husband and I took two quilts into the mountains of Utah and photographed them in a place that was totally new to us. We like to hike and explore, but the difference in altitude and width of trails compared to home made for a challenge. Thankfully, my husband agreed to carry the quilts and I’m certain the other hikers were wondering what he had in that big plastic bag! After crossing paths with a snake, I was busy watching my steps. Stopping among the Aspens for photos was the perfect respite. The photos do not do justice to this beautiful place. And yes, the top is a bit wrinkly.

I’m thankful we took these photos in Provo, before hiking near Sundance. We learned that extra large quilts are more difficult to keep off the ground when taking photos and dirt hiking trails aren’t forgiving. I had to do a little hand washing of this one and left it to drip dry over the hotel shower curtain rod. That was when I found the one, white square straggler. Yes, I left it and it’s quilted in. I sort of figured if it took all this piecing, hiking, and hand washing for me to see it, then let it be.

Back East

The backing fabric by Sarah Golden for Andover Fabrics features terriers, of course! The beautiful edge to edge quilting is the work of Jenn at Knotted Thread http://www.knottedthread.com. Now quilted & bound, it had one more trip to our friends’ in New Hampshire. Equally bright in the mountains of Utah as it is here, over the picket fence of a 200 year old home. Quilts – memories stitched together and at home everywhere.

All content and photos property of Two Terriers Studio and not to be copied or distributed without written consent of the owner.

Eastern to Mountain, Part 1

Published on May 3, 2023May 3, 2023 by twoterriersstudioLeave a comment

The Retro HST Quilt

In three seasons of 2022, I made three quilts that traveled with me between the Eastern and Mountain time zones of the USA. I love “Quilts in the Wild” and capturing these in different cities and seasons, in various stages of completion was a treat. So, with that in mind (and because I’m about a year delayed in writing these stories), I’m going to do a 3 part series. One more thing they all have in common is that they were all three made from my scrap stash. It’s hard to say now, but I’m guessing some element of it was an Earth Day focus, using what I have without buying new. There truly is a blessing in using what you have; I could not be more pleased with these quilts.

A Sew Along

One of the great things about the Instagram quilting community are the friendships that can develop between quilters who may have never even met in person. A shared passion for fabric & design, is something we can talk about for days. Fine tuning skills with tips & tricks, as well as collaborating on patterns or even sew-alongs, is actually fun. This Retro HST (half-square triangle) Quilt was born out of an IG sew-along.

Quilty friends, @lizzymakes, @knotted_thread & @graccieone were the spark behind this sew-along in the spring of 2022. It was inspired by a half-square quilt created by Red Pepper Quilts (the original is a 9-patch HST block) and had been made by Elizabeth. Jen & Amanda hosted a “create at your own pace” sew-along and I liked the idea of a giant quilt, but at my own pace, and not on a group deadline. I started pulling fabric and pairing up squares.

Keeping the momentum going with more fabric pairings and trimming. In true to me form, once I started, I was pretty singularly focused!

A few tools to help with accuracy and flat blocks are always right by my sewing machine. The wool pressing mat, my LDH snips, a hot iron and a tailor’s clapper are all used in a day’s work.

The Block Assembly

Accuracy in the first cut is important, but it’s also important how we press (not iron) and trim our blocks to size. This particular quilt of mine has 576 half-square triangles. A little bit “off” x 576 will result in a wonky, not square or flat quilt top. I knew that if I was going to cut this many pieces, they had to be spot-on!

What’s on the inside matters too. I love how quilt blocks look from the side you’ll never see once it’s quilted.

Little by little, I pulled fabric and paired the darker pieces with some low-volume prints. I tried to stick to a schedule of making a few each day because I could tell right away I was going to like this and wanted to see it through to the end. That isn’t always the case. Some “starts” are not the favorite “finishes”.

Off to Utah

I finished this before our trip to Provo and lovingly packed a suitcase with three quilts to take for photos. It’s been a long time since I was in the mountains west of home, so I was excited about the potential for great scenery. Provo did not disappoint!

Two perspectives along the same sidewalk at Bridal Veil Falls. I wish there was sound…the waterfall and the gentle breeze cannot be captured here; it was a spectacular spot.

I like the contrast of the color and softness of all this fabric against river rocks and the roar of nature. Of course, I was on alert for gusts of wind so that my quilt top didn’t get blown into the stream. That would likely not be pretty!

Back to the East Coast

Once I returned home, this was sent to be long-arm quilted. I’m so thankful to have the option to send big quilts out for the magic of edge to edge quilting. I don’t think I could do it justice, for a quilt this size, on my domestic machine.

I chose a swirl pantograph to give movement to all the angles and squares. The backing is a text print (my editing / writing days shine through in fabric prints, sometimes); the binding is a Liberty print. It pulls colors from the front, coordinates with the print on the back; subtle, but interesting, in my opinion.

I’ve shifted to machine binding my larger, personally owned quilts. Yes, it’s special to have them hand-bound. But, we use our quilts and they are washed often, so I like the added assurance of a solid, machine seam.

Retro HST in Autumn

The good thing about an “at your own pace” sew-along is that I wasn’t behind schedule when I finally had it pieced, quilted, traveled and bound for photos in a New England Autumn! As much as I loved the Utah mountain shots, the backdrop of red trees is pretty cool too.

This one is well traveled and well loved, season to season. I look forward to making another!

All photos and content property of Two Terriers Studio, not to be copied or distributed without written consent of the owner.

My 1st Pixelated Quilt

Published on May 2, 2023 by twoterriersstudioLeave a comment

This is the latest scrap busting quilt I’ve made and I love it. Every quilt comes with a story; how it began, who it is for, the process, the fabric, the quilting and boy, does this one have a story. It’s one that I’m glad I trusted the process and continued sewing, even amidst the doubt and layout fatigue. What started as a project to use scraps and have some “mindless” patchwork sewing, quickly became anything but mindless. It’s more of a study of value and every block is placed with intention. Such intention isn’t usually found in scrappy or improvisation quilts I’ve made in the past. This one took time.

Sorting Scraps

I tend to be frugal with my scraps; almost to a fault. I’ve now been quilting for just over a decade and while I buy a lot of fabric, I use and keep almost every little bit until it’s a size that I can no longer find a use for. After each project, I’ve cut leftover fabric into 5″, 3.5″, and 2.5″ squares and store them together for future patchwork. The bigger pieces are sorted and stored by color and become zipper pouches or something like that. I’ve made so many “scrap busting” quilts and will be sharing them here soon. I’m a couple days late for Earth Day celebrations, but I always feel that using every little bit and not dumping it into a landfill is a responsible way to move through this process. My goal here was to not purchase a single piece of fabric to make this giant quilt and in that, I succeeded.

When I decided to make this Pixelated Quilt, I pulled all my 2.5″ squares and just dropped them on my cutting table. That’s the mess above. I don’t sort my squares by color, but by size. It seemed to make sense until this quilt assembly.

After a few days of sorting through all those little random pieces, I spent time sorting by color into a storage box. I don’t work well in chaos, so while I like all the fabric, the lack of order was making it a challenge to get things done. I was reminded that I have very little orange, yellow, or purple fabric in my collection. I needed to cut into some other larger pieces to develop the right amount of color gradient.

It was at about this time that I wasn’t sure I wanted to make this a large quilt. I started questioning what minimum size would still show the pattern, but allow for a quick finish. It was taking more time than I had anticipated (or wanted to spend) and rather than using the 2.5″ squares I’d already cut, I was having to cut into more fabric I already owned. I said to my husband, “I thought this was a good idea, now I’m not sure. Maybe it can be a baby quilt? I’m actually not loving it; is the value gradient actually showing yet?” He will say that the story went something like, “I have an idea; I love it; I think I’m OVER IT; insert mild curse words; I’m SO OVER it; a few more curse words; Ok, I really do love it!” Ha.

The Layout

My block layout is a 6×6 pattern with the darkest line on the center diagonal. I also wanted the graphic images to be oriented top to bottom; the quilt front would have an obvious “top”. This was one more place where the intentional layout became time consuming. In addition to the gradient, I wanted the orientation to be consistent. Sometimes, I don’t worry about that. This time, I was trying to get each piece correct. With a quilt measuring 68″ x 80″, that meant 1,512 pieces…all measuring 2.5″ unfinished, 2″ finished.

Quilt in the Wild

I like to photograph my quilt tops before they are quilted and bound for a few reasons. When I finally get the top finished, the first photos feel like a bit of a celebration. It’s also easier to travel with quilts of this size before they are quilted and bound, because the weight of something 68×80″ is heavy. My husband always helps me with the full size photos, so it’s also good that he’s not standing there, arms completely outstretched, trying not to let a heavy quilt hit the ground. I think it’s fun to see my work out of the studio, so “Quilts in the Wild” is top of my photo list.

These photos were taken at the Northfield Daffodil Farm in Litchfield, CT. It’s a magical place with rolling hills and so many beautiful flowers. This is was the second time (and second quilt of mine) photographed here.

Longarm Quilting

I sent this to be professionally longarm quilted by Jen, http://www.knottedthread.com. I chose a continuous Baptist Fan pantograph and I think she did a wonderful job.

The backing is of sea turtles and the binding is a Moda Fabrics grunge. I like how the binding matched the sea turtles, but also framed this span of so many colors.

Finished

Quilted and bound, I took it to Massachusetts for one more photo. It was just the burst of color needed by the sidewalk on this cloudy, spring day. If you look closely, you can see those turtles peaking out at the upper right corner.

While there is truth to the way my husband would relay the story of this quilt’s making, I look at it finished and I’m thankful I continued on. Isn’t that the way with most things in life? It’s the mentality to keep going that will get us where we need to be. Within these one thousand five hundred and twelve squares are fabrics from my very first quilt, made over a decade ago, as well as pieces from almost every one in between. I’m definitely seeing repeats and I notice the gaps in my own stash. This one will be staying at home with us. I made a considerable dent in my scrap squares and celebrated using every little bit.

It’s just a fun, cozy, colorful quilt, made with love.

All photos and content property of Two Terriers Studio and not to be copied or distributed without written consent.

The Great Outdoors

Published on February 21, 2022February 20, 2022 by twoterriersstudioLeave a comment

In 2021, I joined Kitty Wilkin, @nightquilter, for her Quilt Your Life Community program. I had taken a virtual class with her prior to that & found her teaching style and skill to be very inviting and inspiring. Being a member of the QYL Crew was an obvious next step for me. Kitty has designed so many beautiful blocks and patterns; I was anxious to incorporate them into personal projects.

Thinking about the concept of “Quilt Your Life”, was both exciting and overwhelming. If you think about life, there are so many facets and measurable events. My head was spinning. It was a struggle narrowing it to something manageable. Kitty kept saying, “keep it simple, keep it simple.” I began a quilt that would track a 10-week program I was participating in, but in brainstorming what else this could be, I thought of loved ones and what I could make for them. We each have unique lives. How could I document something about each of them into a quilt-like piece of art?

Scenes in Colorado

I have a niece who loves the outdoors; camping, hiking, skiing and more. I’ve not sewn a lot of things for her recently, so she came to mind for this first pass at sewing tiny “life” quilts. One of the patterns Kitty has designed is called Sew Tiny Adventures. The camping tent, pine trees and mountain ranges are perfect for this niece. Knowing I wanted to frame this piece, I upscaled the pattern about 56%; it’s still tiny.

Tiny Blocks = Tiny Quilts

These blocks finish under 1.5″, so I needed to join them & then border with more fabric to fit the frame. This is finished like a quilt with wool batting and quilt cotton backing. It’s signed & my logo is attached, in the event the piece is ever separated from the frame. The informal tent, tree & mountains called for simple straight line quilting. Just enough texture, but leaving the images to stand on their own.

For the Adventurer

Now that this is finished & gifted, I’m able to share here. My wheels are in motion once again about what might come next. I have my own 10-week milestone quilt to design & finish. To be able to share a mini-quilt, personalized to a loved one, was FUN. It’s one of a kind and that’s always a good thing, right?

Get outdoors; live and document life!

Enjoy…

All photos and text property of Two Terriers Studio; not to be copied or distributed without written consent of the author.

The Wizard, a Commission

Published on February 19, 2022 by twoterriersstudio1 Comment

Awhile back, as in 2019, I purchased fabric called “Dorothy’s Journey” featuring the story of the Wizard of Oz. I have so many personal connections to Dorothy, Kansas, friends along one’s journey and last but not least, it’s a favorite movie of my children when they were very little.

Like I do, I saved the fabric. I saved it for two years. I didn’t cut into it because I didn’t have a plan, so Dorothy & her friends sat patiently in my studio until the end of 2021. I’ve committed to sewing my stash & taking those “must have” bundles from the shelves and turning them into something handmade. What I didn’t realize is that posting my fabric was going to lead to a friend also proclaiming, “I have to have that…what can you make?”

Happy Mail

I had already been cutting blocks for a quilt I wanted to make & keep, so I sorted through what I had left & I didn’t have enough to make something for her too. I scoured online shops & the options were slim or the prices were high. I gave my friend, Rachael, some guidance on where to find the fabric, with the caveat, “the price has gone up quite a bit; are you sure you want to do this?” Her answer was a confident, “Yes, I’d love a mini-quilt for the retreat center”. I’ve sewn for Rachael on several occasions and she gave me an open path on what the end product would be. Some time later, a package arrived with a note and yardage. The plan was set in motion.

Signs of Yellow

My sewing machine was in for service, and this appointment kept me from getting started right away. When it came back with yellow thread in the bobbin, I took that as a pretty entertaining coincidence. I piece all my projects with neutral Aurifil thread, so this golden string was a surprise, but the perfect start to this mini-quilt.

The Blocks

The feature fabric highlights the cast of characters from The Wizard of Oz. I decided to fussy-cut, or meticulously cut, as the case may be, these images into the equal squares. Dorothy would be the center and surrounded by the others. I used a block pattern called Tell Me a Story, from the book, Intentional Piecing, authored by Amy Friend. In addition to the fabric sent to me, I added the yellow print to tie-in the concept of the yellow brick road.

I like how the names of the characters is included; it tells the story a bit, for those who may not be familiar with it.

Metallic Clouds

With the blocks being foundation paper pieced, they are easy to assemble. I use a mini iron and wool pressing mat to prepare my seams.

I never realized how challenging it is to photograph metallic fabric until I worked on this project! These silver clouds look so different in real life, but wow, the photos don’t do them justice.

Complete

This mini quilt is backed with the pink floral print. It is approximately 18.5″ square. Dorothy is the central figure, her best friends – the Lion, Scarecrow, Tin Man and little dog, Toto, surround her. The peripheral characters, Glinda, the Wicked Witch, the Wizard, and the Winged Monkeys are there too. For those who know the story, so much is captured here.

Now that this has arrived at Rachael’s home, I can share here. I have set aside my own “Dorothy’s Journey” fabric, so stay tuned for what my 2019 purchase becomes. I sure hope it’s not another year before my personal project is complete!

Enjoy & remember, there’s no place like home.

All photos and text property of Two Terriers Studio; not to be duplicated or distributed without written consent.

Holiday Hills Quilt #2

Published on February 17, 2022 by twoterriersstudio2 Comments

Looks familiar, right? It’s February 2022 and this has been in the works for a couple of months. Other quilts have been started & finished, but I fell out of habit getting blog posts written during the holidays, so let’s catch up.

Quilting Gifts

If you’ve been a reader for awhile, you know I sew or quilt almost daily. I test patterns for several designers and I write about those quilts & my experiences here. Often, when I test a pattern, it happens to align with a holiday, a seasonal shift, coincidentally with milestones or the birth of new babies. When that happens, I head into the test with a particular person in mind and I choose fabrics that will work well with the quilt, but suited to a gift I also want to make. It’s a win-win. There are also times I make a quilt, knowing it’s a gift, but I want to have one for myself too! This second version of the Holiday Hills Quilt is kind of like that. I made the first version for my family, knowing full well that my sentimental, holiday loving, decor enthusiast friend needed one too.

Keeping Secrets

I’m blessed with a multitude of creative family & friends. I’m inspired by their work and frequently, we share work or “barter”, for lack of a better word. We encourage one another, while also learning from each other. It’s really cool. I was speaking with my friend, Tammy, in late 2021 and she said, “I’d love for you to make me something; maybe a quilt?” Not only is she a friend, she’s been a solid customer too. She has supported my business from the beginning and owns multiple Two Terriers Studio creations. This particular discussion came on the heels of taking inventory of all the quilts I’ve made & gifted and even stacked in closets in my studio. Quilts I’ve tested, ideas that were started & left unfinished. Quilts on my “to make someday” list. Her comment got my wheels churning. I was watching her decorate her new home for the holidays. She has such an attention to detail that I knew her quilt would be best suited with the holidays in mind, in the color scheme I saw in her home. I wanted it to be a surprise, but I have learned that with the amount of hours it takes to complete a project like this, keeping the fabric a secret was not a great idea. I needed her input or approval first.

Fabric

Tammy’s favorite color is teal / aqua. Little pops of it show up all around her world! As I started looking into fabric, I found this collection by Maude Asbury for Free Spirit Fabrics called Fa La La. I felt that it was perfect for her & she gave the “thumbs up”. It was all she knew about what was in the works; the rest I kept to myself. I’ll tell you, not sharing the other fabric choices was a challenge. I wanted to include her, but also surprise her. The trust she placed in me to just do as I wished, was a treat. I ordered the fabric and the project began.

I realize now that I didn’t actually take that many progress photos! This was a pattern I’d already made once, so the piecing and technical issues have been documented before. It was so tempting, with every new tree, to share progress, but I stayed on task.

Longarm Quilting

This quilt is 60×64″ and bigger than I felt comfortable quilting, edge to edge, on my domestic machine. Tammy agreed with having it professionally quilted & she covered that cost, as well as the feature fabrics. I sent this to Jenn, www.knottedthread.com, for the quilting. As always, amazing results. After hours and hours of cutting and piecing, it’s nice to have this kind of finish, texture, and creative art added. It’s a team effort, a collaboration, for sure.

I’m certainly NOT a perfect piecing, all the time, kind of sewist, but this pattern by Raye, www.thehomebodyco.com, is written in such a way that points are not lost in the piecing of these trees. So satisfying to see it up close. Well, at least for me!

I chose this aqua snowflake fabric for the binding. With it being her favorite color, and also featured among the tree motifs, it frames the design pretty well. I try to make my binding at the time the tops are finished, but to be honest, it’s the stage at which I usually lose momentum. The secret is to gift quilts; those get finished! I don’t care to admit how many quilts are stacked in my studio waiting for this 1% final piece of the puzzle.

The Backing

The original feature fabric is the entire back of this quilt. I just love it. The whimsical trees, the old fashioned-ish ornaments, images reminiscent of “tinsel” trees from the 60’s (is that when those were popular?); it all makes me smile. If she wants a pop of color, this can be draped on a sofa or the foot of a bed with the backing facing out, rather than the front.

Exhale

Binding finished, one swift “shaking it out” and setting it down for a look…I exhaled. It’s as I had hoped and it embodies work beyond my own hands. Some of the swirls remind me of the first letter of my name; some of the stars, the first letter of her name, the quilty details made possible by a woman in another state. It’s good. Collaboration is good.

Snow Prayers

Last, but not least, photos for documenting the finish. New England is traditionally known for snowy winters, yet, no snow on the ground when this was done & ready to be sent. If you know me well, you know that I don’t often pray for snow. Like ever; except maybe on Christmas Eve, then not again. However, I did pray for snow the night before this photo. The cool colors of these trees, the holiday vibe & the winter forest just begged for snow. Asked & received. God is good. Today, barely a week later, the snow is mostly melted. For now. Seriously, I don’t want to jinx myself!

All Done

When I woke to snow, it was a good day. There, I said it. I was happy with this weather. My husband always helps with photos and if you look closely, you can see that he walked AROUND the frame so that his big footprints wouldn’t be tracked into the photo. Bonus, I didn’t even think of it, but he knew. Well done, hubs!

Holiday Hills #2 is now at home with Tammy. She un-boxed her gift on her instagram stories @whitelilacfarmhouse and her reaction literally brought me to tears. Her crying, my crying…her jokes about how “Stacey really taped-up this box” (if you know, you know). It was funny even through our happy cry fest. That unboxing moment is why I do this. I want my family & friends to feel loved. Geography doesn’t allow me to be with all the people I care about on a regular basis, but sharing something handmade, one of a kind, and made with love, can transport us across the miles. I’m so thankful for the opportunity to be able to share this skill/hobby/interest of mine with those I care about. Tammy, remember it’s meant to be used. Use it, love it, wash, dry and repeat.

Enjoy…..

All photos and content property of Two Terriers Studio; not to be duplicated or shared without written consent of the author.

Urban Light Quilt

Published on July 5, 2021 by twoterriersstudioLeave a comment

What’s the saying, “better late than never”? That applies to this post! The timing of my blogpost has nothing to do with my enthusiasm for this pattern or quilt. I finished the quilt top MONTHS ago, but I’m just now getting around to showing the final project.

In the spring of 2021, I was asked by Karen, http://www.bloomingpoppies.net to test this pattern, the Urban Light Quilt. When I saw her mock-ups and how the color choices influenced the overall design, I knew immediately I wanted to make this. Not to mention, just wanting to work with a designer who loves improvisation, like I do.

I pulled from my fabric stash and settled on this Catch & Release collection by Art Gallery Fabrics. More than 2 years ago, I sewed for the AGF Look Book & Blog party, and at the time I was so obsessed with the designs, I purchased several yards of each fabric after the maker projects were done. I’ve hoarded it a bit over the past couple years, but finding ways to incorporate it into new quilts has been nice.

The Urban Light Quilt comes in 5 sizes, I made the large throw. One thing to note about this quilt is that the blocks are large, they repeat and make for a fast finish. The cutting instructions are very easy to follow and if my memory serves me correctly, I was able to put this together in just a couple days. I preface that with the reality that I have few distractions and blocks of time each day to sew. In any case, it’s not a pattern that will take much time given the design and overall block size.

There are traditional elements like flying geese in this design. I love the no-waste approach. I did incorporate text fabric in my quilt and while some of it “reads” correct, directionally, I decided to not be too fussy about the blocks individually. With this particular print, the text is multi-directional on it’s own, so there didn’t seem to be an “up” distinction anyway. Also, with a square quilt, who even knows which direction it will be used on any given day. It all works out; don’t sweat it.

Aren’t the fish & florals just a perfect nod to summer? I think they are so sweet. There’s something whimsical about it that made me look forward to summer days.

This block, on its own, would make a beautiful pillow cover to accompany this quilt.

My favorite color is red and I chose to add a pop of this AGF Pure Elements Solid to the mix. In my opinion, it’s the perfect, clear red. I believe it’s actually called “London Red”. Favorite color and one of my favorite vacation destinations, how could it not work?

As I mentioned, this quilt top and the pieced backing were finished in the spring of 2021. Snow was still on the ground in New England, but this bright fabric was calling for summer. I really like the simplicity of the blocks, but each time I look at it, I see another element in the design that pulls my attention.

Fast forward to summer, June 2021 to be more specific, and my Urban Light is back from the longarm quilter. I brought it along on our family vacation, knowing that these water colors, fish, florals, and the patriotic feel would be perfectly photographed at the beach.

I chose an edge to edge pantograph that mimics the ripple of water. Don’t forget that the thread and this quilting is yet another element to be considered. After all the work to piece it together, I have to remind myself that there’s one more decision to be made. No time for snoozing. With so many angles, I like the smooth curves and motion across these blocks. The binding is done in a small floral, framing it all in red, white, and blue.

This is a pattern I would highly recommend and it’s available on the designer’s website mentioned above. Take a peek at her account or follow the hashtag to see the other tester’s variations; it’s interesting how color choice changes the look of this quilt. Seeing my own version, sometimes the center appears to be a floral motif, sometimes I notice the stars, sometimes it’s the POP of red. How fun to have a quilt with such dimension. I love it and hope it brings cozy snuggles to anyone who gets a chance to use it.

I’m appreciative of the opportunity to work with Karen & to have tested this pattern. I’ve worked with her again since making this one & that second quilt will be posted soon!

Happy Quilting…

All photos and content property of Two Terriers Studio; do not replicate or distribute without permission. This is not a sponsored post.

The Gravitate Quilt

Published on June 23, 2021 by twoterriersstudio2 Comments

Summer, sunshine and star block quilts. It’s a winning combination, as is this new pattern by Modernly Morgan (www.modernlymorgan.com).

Having tested Morgan’s last pattern, the Cozy Cabin Quilt, I was definitely excited when she asked if I’d test this one as well. She and I share a love of star blocks and stash-busting quilts, so I knew it would be a great project. It’s a fat quarterly friendly pattern, and I decided to cut into my Tula Pink “Homemade” bundle. In this process, I learned that accuracy is important before making the first cut. Not all my FQs were accurately sized, so I had to swap a couple in the preparation process. This pattern is designed with very little waste, so having a FQ that is too small (it happens!), is something to take notice & choose accordingly.

Block Preparation

I do use a wool pressing mat and a mini Oliso iron when pressing blocks. My family gifted both these tools to me and I use them both every single time I sew. For me, it sure beats moving to a large ironing board over & over while making blocks.

Chain Piecing

In making this quilt, I looked through each of my cut pieces and assembled piles or sets of each block I intended to make. Sometimes, I choose as I go. This time, I knew I’d be working in more fragmented sewing sessions as my calendar was a bit hectic. Setting aside all the pieces and being able to fit in a block here or there made the most sense. I definitely fell into a rhythm and the written directions are so clear and concise, I was able to pick up a block set and sew as time allowed. I’m still amazed at how quickly a quilt of this size came together, even with my studio time being less flexible recently.

Vibrant Blocks

It’s a happy moment when the points are on point!

Back-lit quilt blocks remind me of stained glass art.

I have always been a fan of bold graphics and colorful fabrics. I keep a bin of Tula Pink fabric for those moments when the feeling, “I need a BRIGHT quilt”, strike. Because I like a scrappy look and her collections are so well matched in color and tone, I find it easy to blend prints without too much worry. This particular line, “Homemade”, features all things sewing related. It’s perfect for me & my hobby-loving heart. I will say that I’m not 100% focused on directional fabric matching every single time. None of my quilts are on beds. They are all used for picnics, days at the beach, watching movies or wrapping up little babies for warmth. That being said, the directions shift with each use, so I’m personally OK with the fabric facing different (all?) directions. Of course, if there is a specific need for it to be directional, I make that effort; it mostly applies to text print. It’s fair to say, I’m not overly fussy when I know it’s a quilt I’m keeping for myself or my family.

The Quilt Swirl

Once all the blocks were made and the quilt top was pieced, it had to be a quilt swirl! In addition to my love of quilting, I also have a sweet tooth. This type of swirl is all the beauty, none of the calories. How could I resist?

As you can see, I blended a few collections here. Homemade, Pom Pom, True Colors and Curiouser & Curiouser. For those of you who may be new to fabric acquisition, my one bit of advice would be to choose a favorite fabric and buy enough of it for a quilt backing at the same time you buy a bundle. I didn’t always do that & now I have a stash of beautiful fabric bundles or precuts or maybe even smaller yardages, but not always a piece large enough for a large backing. If matching matters, this is a helpful tip. If not, ignore it. For my Gravitate Quilt, I wanted it to be cohesive. Thankfully, my local quilt shop had just stocked this newest line of prints and I was able to purchase enough to finish my quilt. They did not have yardage of the other collections. I’ve been working very hard to not purchase new fabric until I use more of my existing fabric; Lord knows I have enough already.

Off to the Longarm Quilter

This quilt was quilted by Jenn, @knotted_thread, on Instagram. I cannot say enough good things about her skill and customer service. She is responsive, reasonably priced and I’m happy with the finish work she did on this piece.

Binding Time

I anticipate this being a well-loved (ie – often used) quilt, so I opted to machine sew the binding. Most of the time, I machine sew to the front and hand-bind to the back. With this one, it’s all machine sewn. It’s a little stressful for me, because I know hand-sewn is more precise and “hidden”, but I also know I can only get better at machine binding if I actually practice. Finding a good thread match is key; especially in the learning stages.

Ready for the Close-up

The Gravitate Quilt; pattern by Modernly Morgan. Pieced by Stacey, Two Terriers Studio.

Thank you, Morgan, for including me in this pattern test. I’m already envisioning this in different color-ways and looking forward to making another. Special thanks to my HHQ, “husband holding quilts”. He so willingly helps me scope out locations and keeps my work from getting dirty, or in this case, sea soaked.

If you’re looking to make a star block quilt, definitely check into this one.

Happy Quilting!

Garden Paths Quilt

Published on May 4, 2021 by twoterriersstudioLeave a comment

It’s now May 2021 and I’m ready to be outside, enjoying all the spring gardens have to offer. Coincidentally, it’s also pattern release day for this latest quilt, designed by Brittany Tunison for White Plains Quilts. Meet the Garden Paths Quilt!

When the opportunity to test this pattern came up, I had zero hesitation. All of Brittany’s patterns are well written and make creating a unique quilt a breeze. I had recently seen a fabric by Art Gallery Fabrics http://www.artgalleryfabrics.com called “Little Clementine” and it was the catalyst for this color scheme. I was drawn in by the whimsical graphics of animals, florals, lettering, bicycles and more. The peach and plum colors are a bit out of the box for me, but I really love this print. I asked Brittany to “kit” fabric for me using this and a floral by Amy Sinibaldi for Art Gallery Fabrics called “promenade plum”. I could not be happier with the outcome.

Trimming

This pattern is heavy on the half-square triangles, probably best suited for an advanced beginner or someone who is interested in mastering their HST skills. I mean, I’ve made hundreds (thousands?), of half-square triangles, but there’s always room for improving those points, right? I think back to the early days of my quilting journey, about a decade ago now, and remember thinking, “Do I need to trim all these dog ears?” The answer is YES. It may not seem like much, but squaring up blocks is important and that little bit of excess over the entire quilt does add up to a lot of inaccuracy. Just take the time to trim your blocks, if you’re not doing it already. Added bonus, look at all that fabric confetti goodness.

I like to press my block seams and see all the pieces lined up along the way. Sometimes progress is slow, but having pretty fabric and little piles of finished pieces is motivation for me.

Block Assembly

The Garden Paths Quilt is designed around two block structures. You’ll make a different quantity depending on the size of the quilt. In this case, the baby quilt I made was relatively fast to assemble. This pattern comes with instructions for three sizes: Baby, Throw and Twin. I opted for a bleached white background, but now having seen other tester’s quilts, as well as the designer’s quilt in a dark background, all color combinations are stunning.

Long Arm Quilting

I had this quilt professional long-arm quilted by my friend, Deb, of Owl Quilt It. I’ve said it before, but choosing the motif or pantograph at the end of the piecing process, is often the hardest choice for me. This is a baby quilt, but the colors are not specifically “baby”. There are beautiful graphics in the fabrics and I wanted to highlight the theme and name of Garden Paths. When I saw this design, I knew it was right. Notice how the leaves and berries so closely mimic the florals of the Little Clementine fabric? No doubt this was what I was looking for in the quilting. 99% of the time, I opt for a white thread; I want it to blend into the quilt, and not be distracting. This one will get cozier with each wash & tumble dry!

I like dense quilting. Some quilts lend themselves to more open stitching, but I like it when my quilts have a little tighter sizing on the edge to edge quilting.

The Finish

Even my husband noted how much he likes this quilt. He’s my sidekick when it comes to photographing quilts, but also the one cheering me on along the way. He’s seen plenty of bright, bold, graphic prints and colors, so this one really got his attention. He said, “this isn’t usually what you choose, but I really like this one. I wouldn’t have thought I’d like it so much, but I really do.” Go figure….it’s OK to step outside our comfort zone of color!

Garden Paths Quilt featuring Art Gallery Fabrics

Quilt Backs

The Pieced Backing of my Garden Paths Quilt

If you follow me long enough, you’ll see a pattern of pieced quilt backs. I LOVE them. I do think there’s a beauty in a single fabric background, but I see the quilt back as one more chance to make something unique…it’s good “real estate”, if you will. You never know which side will be right side up when getting wrapped or cuddled with a quilt, so I want the back to be interesting too. It’s a good way to use any leftover bits and pieces that indicate what is found on the other side. You can see the Little Clementine fabric here, in all it’s glory. How sweet is that? It makes me smile. Oh, don’t forget to label your quilts! Artists sign their work; quilters should too.

The Details

This pattern is available beginning today, May 4, 2021 from http://www.whiteplainsquilts.com. All orders placed there today will be entered for a drawing to win $20.00 in shop credit. Patterns from this site will be discounted 20% until May 7, 2021. Brittany will also have limited quantities in quilt kits available, so shop early if you’re interested. This is not a sponsored post; I’m sharing these details so that you, too, can make this beautiful quilt pattern.

As I mentioned, I’ve used fabrics from Art Gallery Fabrics in prints and pure solids. This is also not sponsored by AGF (but I secretly, not so secretly, wish it were!). The feel of their fabric is delightful. The drape is something you just need to feel.

Thanks, Brittany, for including me once again in your team of pattern testers. I enjoyed it & I’m so happy with this fabric pull and finished quilt. I’m adding it to my collection of favorites!

All photos and content are property of Two Terriers Studio and not to be copied or distributed without written permission. This is not a sponsored post.

The Londoner Quilt

Published on December 4, 2020 by twoterriersstudioLeave a comment

I remember, as much of the world does, watching Lady Diana Spencer become Diana, Princess of Wales. Yes, I woke at 4am to watch the Royal Wedding, before heading off to school. Don’t judge, maybe it isn’t your thing. I wasn’t a princess & fairytales kind of kid, but this was entirely different. I had never seen anything like a royal wedding and I found it all quite fascinating. In the process, I fell in love with images of the UK; the castles, the countryside, the hustle and bustle of the city, the “proper-ness” and even the music scene. It seemed a world away and I really liked it. I had no first hand knowledge, but I wanted so badly to go see for myself.

Fast forward a few decades. I traveled to London with my husband and children, after I’d waited so long to see it all in person. It was even better than I anticipated. The feeling I had about this place was etched in my mind and being there was exciting. We walked or used the London Underground for all our transportation. Those rings became a new symbol for my “London Story”. One aspect that was new to me since that fairytale wedding years before, was that I had become a quilter. A new stop on the “to do” list became Liberty of London. WOW. What a store. A fabric haven, if there is such a thing. In London, no less. That stop made me look at fabric and florals differently than I ever had before.

Why all the backstory?

It may not the be case for everyone, but creativity in quilting, especially for me, comes from a feeling. I don’t know that I can perfectly explain it, but it’s never just the pattern or the fabric. It’s not the desire to work with a specific designer or fabric collection. It’s ALWAYS a feeling for me. A connection to something personal, a memory, a spiritual significance, a reminder of someone or some place; it’s the story. I work best when it all connects. All aspects ultimately count, but I’ve tuned in to that little voice or emotion and what I’ve learned is that my favorite quilts come from tying together the story.

A New Quilt Story

The Londoner. When I saw those tell-tale, iconic symbols of the underground transit system of London in a new pattern, I was all in on making this quilt. London. Yes, please. This is a must make.

The Londoner, by Two Terriers Studio 2020

This pattern by Megan Lopez, founder of The Athena Workshop (www.theathenaworkshop.com), was a delight to make. Do not let the sewing of curves derail you. She has designed these blocks with detailed instructions and room for squaring up to achieve precision in the finished block.

I opted for non-traditional colors, as we know the London Underground symbol to be red & blue. There are hints to the original colors and circular pattern, so it clicked for me as a lovely option for a baby quilt.

If you’ve ever sewn with me, you probably notice that I don’t often pin straight seams. That is not the case when I sew curves. All the tips & tricks are in the pattern, but squaring up the edges, pinning the center, and sewing slowly works well for me.

One thing I vividly remember from my visit to London, are the expansive gardens and so many beautiful flowers. These prints are a nod to the colors of the original symbol, and my memories of the flowers. The yellow cross bar echoes the circles as well, although in reality, it would be a solid red.

Once the quilt top was pieced and a backing chosen, I made the binding. This plaid turned out to be a fun frame and matching the patterns at the joined seams was a challenge I set for myself. Let’s just say, sometimes you win, sometimes you rip seams & start again.

The last step of the pattern is how it will be quilted. I wanted to have this professionally quilted or “longarmed”, so I had a few more design options available than what I would be able to do on my domestic machine. In keeping with those feelings and memories of London, I chose an edge to edge design that reminded me of a subway map. Those tracks are never straight lines, they do go around corners and often intersect and look at bit haphazard.

Edge to edge quilting by Deb, Owl Quilt It

My Finished Londoner Quilt, Two Terriers Studio 2020

It may be small, but it is mighty. The memories, the flowers, the freedom of travel, the TUBE, and now the quilt. What a serendipitous moment to have it all come together for me in this quilting project. I am so grateful for the opportunity to work with Megan and to have tested this pattern before its release to the public. Her story of London and her current work outside of quilting are an inspiring read. I am moved by the final few pages of her patterns. Let’s just say, she is not only sharing her love of quilting and design, but she is working to help others who may need resources and assistance out of incredibly difficult situations. The power of giving back and helping other lies within all of us.

Not quite the London Underground, but special thanks to my husband for helping with quilt photos

This quilt pattern has options for crib, throw, and bed sizes. It is also fat-quarter friendly. Today, 12/4/20 through 12/6/20, you can find this pattern and all other @theathenaworkshop patterns on sale for 20% off. If you love all things UK or consider yourself an “anglophile”, I’d suggest adding this pattern to your collection. I enjoyed making it and I’m inspired by the original color schemes and those the other testers have been posting online. On Instagram, follow the hashtag #londonerquilt.

I “may” have already purchased some London themed fabric to make a larger version to keep for myself. We can’t leave out those red phone booths, crown & scepter or Stonehenge, right?

While my version came together based on my personal love of London and tying it together into a quilt, let your creativity and your story drive your quilting endeavors. Quilts are the embodiment of love. How will you tell the story?

All content and photos property of Two Terriers Studio and not to be shared or duplicated without written permission. This is not a sponsored post; just a reflection of my own thoughts & sewing.