Eastern to Mountain, Part 2

Provo, Utah

The Wonky Stars Quilt

Continuing on with my Eastern to Mountain, 3-part series, let’s talk about the Wonky Stars Quilt. This series is about three different quilts that are all scrap busting by nature; colorful and well-traveled. This particular one was 100% inspired by the Missouri Star Quilt Co. “Block” magazine that I received from a fellow quilter. As I’ve mentioned before, I learned so much about quilting from Jenny Doan, Founder of Missouri Star Quilt Company http://www.missouriquiltco.com. I watched her online tutorials, almost daily in the beginning, and her ‘anyone can do this’ style drew me in. She made quilting approachable and fun, so of course, I was happy to have this new book in my collection.

Wonky Stars is just that – WONKY. There’s no fussing with matching triangle points. The four patch center is about as precise as the piecing needed to be. The rest is a wash of colors and prints, free form triangle shapes and wonky goodness throughout. Making this was a relaxing experience and I immediately thought that it would be a quilt I could make over & over and never tire of the process. While Jenny’s version on the cover of her book is scrappy, as is mine, this would be fantastic in a curated palette or from a single collection. I omitted the sashing and setting squares in my quilt, but aren’t Jenny’s just an extra pop?

Gathering the Scraps

As you can see, there’s a little bit of everything in these blocks! My go-to background is a bleached white cotton from Moda Fabrics. A bright, crisp white is one of my favorites when paired with all these vibrant colors. Keeping the same white in my quilts allows my solid white scraps to match. Pulling from smaller pieces generally ensures they are all the same. Note, I said “generally”. It’s not an exact practice, as there have been a few stragglers left behind from earlier quilting days. One of those stragglers found its way into this quilt, as a matter of fact. I actually didn’t even notice the slight variation until the quilt was completely pieced and I saw it in the daylight!

Progress! I totally understand that scrappy patchwork isn’t everyone’s favorite, but I love it. It’s good to be frugal, using every last little bit of precious fabric. I like reliving the memories of so many other projects as I cut new blocks for what will be a one-of-a-kind new quilt. As usual, I didn’t have a final size in mind when I started these blocks. I kind of let the evolution happen and felt that I’d know when I’d made enough. There were moments I thought this could be a really fun & funky baby quilt, but the more stars I made, the more I wanted the quilt to be very big. So, I kept going.

Assembly

Once my blocks were finished, I cut them all to the same size which seems like a process out of order. With the focus and precision in the four-patch and the “legs” of the stars all being different, the squaring came last. Squaring up these nine patch blocks was quick & the sewing even more so.

You can really see my alternating pressing of seams here. That’s another technique I know many quilters will debate. Press to alternating sides or open? I tend to press alternately; open if the pattern calls for it. With the Wonky Stars, my alternate row pressing was just fine. I always give my quilt tops a final starch and press before they are quilted, but this one shows the first pass.

Off to the Mountains

This is where the Eastern to Mountain comes in. My husband and I took two quilts into the mountains of Utah and photographed them in a place that was totally new to us. We like to hike and explore, but the difference in altitude and width of trails compared to home made for a challenge. Thankfully, my husband agreed to carry the quilts and I’m certain the other hikers were wondering what he had in that big plastic bag! After crossing paths with a snake, I was busy watching my steps. Stopping among the Aspens for photos was the perfect respite. The photos do not do justice to this beautiful place. And yes, the top is a bit wrinkly.

Stewart Falls
Provo, Utah

I’m thankful we took these photos in Provo, before hiking near Sundance. We learned that extra large quilts are more difficult to keep off the ground when taking photos and dirt hiking trails aren’t forgiving. I had to do a little hand washing of this one and left it to drip dry over the hotel shower curtain rod. That was when I found the one, white square straggler. Yes, I left it and it’s quilted in. I sort of figured if it took all this piecing, hiking, and hand washing for me to see it, then let it be.

Back East

New Hampshire

The backing fabric by Sarah Golden for Andover Fabrics features terriers, of course! The beautiful edge to edge quilting is the work of Jenn at Knotted Thread http://www.knottedthread.com. Now quilted & bound, it had one more trip to our friends’ in New Hampshire. Equally bright in the mountains of Utah as it is here, over the picket fence of a 200 year old home. Quilts – memories stitched together and at home everywhere.

All content and photos property of Two Terriers Studio and not to be copied or distributed without written consent of the owner.

Eastern to Mountain, Part 1

The Retro HST Quilt

In three seasons of 2022, I made three quilts that traveled with me between the Eastern and Mountain time zones of the USA. I love “Quilts in the Wild” and capturing these in different cities and seasons, in various stages of completion was a treat. So, with that in mind (and because I’m about a year delayed in writing these stories), I’m going to do a 3 part series. One more thing they all have in common is that they were all three made from my scrap stash. It’s hard to say now, but I’m guessing some element of it was an Earth Day focus, using what I have without buying new. There truly is a blessing in using what you have; I could not be more pleased with these quilts.

A Sew Along

One of the great things about the Instagram quilting community are the friendships that can develop between quilters who may have never even met in person. A shared passion for fabric & design, is something we can talk about for days. Fine tuning skills with tips & tricks, as well as collaborating on patterns or even sew-alongs, is actually fun. This Retro HST (half-square triangle) Quilt was born out of an IG sew-along.

Quilty friends, @lizzymakes, @knotted_thread & @graccieone were the spark behind this sew-along in the spring of 2022. It was inspired by a half-square quilt created by Red Pepper Quilts (the original is a 9-patch HST block) and had been made by Elizabeth. Jen & Amanda hosted a “create at your own pace” sew-along and I liked the idea of a giant quilt, but at my own pace, and not on a group deadline. I started pulling fabric and pairing up squares.

Keeping the momentum going with more fabric pairings and trimming. In true to me form, once I started, I was pretty singularly focused!

A few tools to help with accuracy and flat blocks are always right by my sewing machine. The wool pressing mat, my LDH snips, a hot iron and a tailor’s clapper are all used in a day’s work.

The Block Assembly

Accuracy in the first cut is important, but it’s also important how we press (not iron) and trim our blocks to size. This particular quilt of mine has 576 half-square triangles. A little bit “off” x 576 will result in a wonky, not square or flat quilt top. I knew that if I was going to cut this many pieces, they had to be spot-on!

What’s on the inside matters too. I love how quilt blocks look from the side you’ll never see once it’s quilted.

Little by little, I pulled fabric and paired the darker pieces with some low-volume prints. I tried to stick to a schedule of making a few each day because I could tell right away I was going to like this and wanted to see it through to the end. That isn’t always the case. Some “starts” are not the favorite “finishes”.

Off to Utah

I finished this before our trip to Provo and lovingly packed a suitcase with three quilts to take for photos. It’s been a long time since I was in the mountains west of home, so I was excited about the potential for great scenery. Provo did not disappoint!

Two perspectives along the same sidewalk at Bridal Veil Falls. I wish there was sound…the waterfall and the gentle breeze cannot be captured here; it was a spectacular spot.

I like the contrast of the color and softness of all this fabric against river rocks and the roar of nature. Of course, I was on alert for gusts of wind so that my quilt top didn’t get blown into the stream. That would likely not be pretty!

Back to the East Coast

Once I returned home, this was sent to be long-arm quilted. I’m so thankful to have the option to send big quilts out for the magic of edge to edge quilting. I don’t think I could do it justice, for a quilt this size, on my domestic machine.

I chose a swirl pantograph to give movement to all the angles and squares. The backing is a text print (my editing / writing days shine through in fabric prints, sometimes); the binding is a Liberty print. It pulls colors from the front, coordinates with the print on the back; subtle, but interesting, in my opinion.

I’ve shifted to machine binding my larger, personally owned quilts. Yes, it’s special to have them hand-bound. But, we use our quilts and they are washed often, so I like the added assurance of a solid, machine seam.

Retro HST in Autumn

The good thing about an “at your own pace” sew-along is that I wasn’t behind schedule when I finally had it pieced, quilted, traveled and bound for photos in a New England Autumn! As much as I loved the Utah mountain shots, the backdrop of red trees is pretty cool too.

This one is well traveled and well loved, season to season. I look forward to making another!

All photos and content property of Two Terriers Studio, not to be copied or distributed without written consent of the owner.

The Night Vision Quilt

It’s been a LONG time since I’ve shared stories of quilts here. I didn’t realize how long until I started this post, but hello again, I’m glad you’ve joined me. I’ll be catching up with stories and photos of many quilts (some from 2022!) and travels very soon. I hope you’ll come back and visit.

A Pattern Test

This project was a pattern test for my quilt designer friend, Morgan, of www.modernlymorgan.com. She and I have worked together several times and when she asked me to test / review this pattern, I was happy to do it. Pattern testing gives me a path to keep my editing skills fresh and to work with talented makers, as well as having a sneak peek into yet to be released designs. It’s all good.

The Fabric

There’s a joke around the internet that buying fabric and quilting are two different hobbies. As a quilter, and fabric enthusiast, I tend to agree. I often buy fabric I love, without a clear-cut plan for it, but I know it will be used one day. Nothing goes to waste in my studio. For this quilt, I pulled a fat quarter bundle from my stash. This particular bundle is called Americana, by Art Gallery Fabrics. While it’s not specifically Stars and Stripes, the color variation is definitely one that evokes patriotic feelings. In a decade of quilting, I’ve not made a patriotic or Independence Day summer quilt, so this seemed the perfect time. I purchased this bundle from another friend, Jen at www.knottedthread.com.

There’s something so beautiful about freshly cut fibers, stacked neatly together. To take yardage, cut it apart and reassemble into something new is a wonderful thing.

Half-square triangles in the making. I’ve only recently started using Seam Tape when piecing HSTs. It certainly cuts down prep time and results in accurate measurements too.

Fabric confetti is an unavoidable “work hazard”! Even these tiny pieces have a purpose. I donate these to a friend who uses them as “stuffing” for bedding for local animal shelters. It makes my heart happy to know that nothing goes to waste and that these trimmings give comfort to an animal in need.

Piecing the Blocks

The instructions for this quilt are very straight forward and allow for a lot of chain piecing. I like the repetitive nature of matching blocks and being able to sew several sections all at once and then work on the layout by color value / design. Morgan’s patterns are precise and easy to follow. I never question the math or accuracy, even in the “testing & editing” phase.

Tools

I rely on a few tools in my studio to enhance my quilt blocks. A wool pressing mat, tailors’ clapper, a HOT iron (no steam) and Faultless “magic” spray. This is not a sponsored post (although, I wish it were!), but here’s a glimpse of some of my favorite tools. The combination of these really helps to create flat seams and we all know that flat seams build flat quilts.

A Stack of Blocks

Seeing these photos reminds me, again, how long it’s been since I’ve blogged! I started this quilt while there was still snow on the ground. The colors brightened those winter days and made me look forward to summer picnics and celebrations. This quilt has traveled all around the eastern USA; see the sights below.

The pieced top, not yet quilted, traveled to Florida. For my family, the beach is among our favorite places to be, so of course, I needed to photograph this here. I do travel with quilt tops; I like the varying scenery for backdrops, but it also blends my hobby/work with family adventures. My husband is my trusted quilt holder & photo assistant, and thank goodness he’s tall and willing to hold these for all the photos! I literally couldn’t do this without him. He’s my biggest cheer squad too.

Night Vision Quilt, in Florida

Quilt Travels Continue

Quilted, not yet bound. Photographed at the Norman Rockwell Museum, MA

I sent this quilt top to NJ to be longarm quilted by Jen, at Knotted Thread. Her work is the exact finishing needed to bring these to life. I went with a swirl and star motif to balance the squares and to add a flair of celebration, as would be appropriate for Independence Day!

When it was returned to me, I brought it along on a trip to the Norman Rockwell Museum in Stockbridge, MA. Norman Rockwell’s paintings and illustrations tell the story of American life and it was not only a treat to see all his work, but the property is gorgeous too. I thought it was an ideal location to photograph my Americana themed quilt; at the home/studio of a renowned American illustrator. If you ever find yourself in western Massachusetts, stop in and see his work. It’s even better up close. I was in awe of the details – you don’t want to miss it.

Night Vision at the Norman Rockwell Museum, along the footbridge

The Details

This pattern comes with instructions for four sizes: child, throw (as I’ve made), twin & bed. It is fat quarter friendly and would also be great in a scrap-busting finish. You can purchase this & other designs at Morgan’s website as linked above. Check out all the other testers’ versions on Instagram too; so much creativity and inspiration to be found there!

Thanks again to Morgan for including me in the tester group. I end up with so many beautiful projects by doing this work.

All photos and stories property of Two Terriers Studio & not to be duplicated or shared without written consent.

Holiday Hills Quilt #2

Looks familiar, right? It’s February 2022 and this has been in the works for a couple of months. Other quilts have been started & finished, but I fell out of habit getting blog posts written during the holidays, so let’s catch up.

Quilting Gifts

If you’ve been a reader for awhile, you know I sew or quilt almost daily. I test patterns for several designers and I write about those quilts & my experiences here. Often, when I test a pattern, it happens to align with a holiday, a seasonal shift, coincidentally with milestones or the birth of new babies. When that happens, I head into the test with a particular person in mind and I choose fabrics that will work well with the quilt, but suited to a gift I also want to make. It’s a win-win. There are also times I make a quilt, knowing it’s a gift, but I want to have one for myself too! This second version of the Holiday Hills Quilt is kind of like that. I made the first version for my family, knowing full well that my sentimental, holiday loving, decor enthusiast friend needed one too.

Keeping Secrets

I’m blessed with a multitude of creative family & friends. I’m inspired by their work and frequently, we share work or “barter”, for lack of a better word. We encourage one another, while also learning from each other. It’s really cool. I was speaking with my friend, Tammy, in late 2021 and she said, “I’d love for you to make me something; maybe a quilt?” Not only is she a friend, she’s been a solid customer too. She has supported my business from the beginning and owns multiple Two Terriers Studio creations. This particular discussion came on the heels of taking inventory of all the quilts I’ve made & gifted and even stacked in closets in my studio. Quilts I’ve tested, ideas that were started & left unfinished. Quilts on my “to make someday” list. Her comment got my wheels churning. I was watching her decorate her new home for the holidays. She has such an attention to detail that I knew her quilt would be best suited with the holidays in mind, in the color scheme I saw in her home. I wanted it to be a surprise, but I have learned that with the amount of hours it takes to complete a project like this, keeping the fabric a secret was not a great idea. I needed her input or approval first.

The inspiration piece

Fabric

Tammy’s favorite color is teal / aqua. Little pops of it show up all around her world! As I started looking into fabric, I found this collection by Maude Asbury for Free Spirit Fabrics called Fa La La. I felt that it was perfect for her & she gave the “thumbs up”. It was all she knew about what was in the works; the rest I kept to myself. I’ll tell you, not sharing the other fabric choices was a challenge. I wanted to include her, but also surprise her. The trust she placed in me to just do as I wished, was a treat. I ordered the fabric and the project began.

I realize now that I didn’t actually take that many progress photos! This was a pattern I’d already made once, so the piecing and technical issues have been documented before. It was so tempting, with every new tree, to share progress, but I stayed on task.

Binding as garland

Longarm Quilting

This quilt is 60×64″ and bigger than I felt comfortable quilting, edge to edge, on my domestic machine. Tammy agreed with having it professionally quilted & she covered that cost, as well as the feature fabrics. I sent this to Jenn, www.knottedthread.com, for the quilting. As always, amazing results. After hours and hours of cutting and piecing, it’s nice to have this kind of finish, texture, and creative art added. It’s a team effort, a collaboration, for sure.

I’m certainly NOT a perfect piecing, all the time, kind of sewist, but this pattern by Raye, www.thehomebodyco.com, is written in such a way that points are not lost in the piecing of these trees. So satisfying to see it up close. Well, at least for me!

I chose this aqua snowflake fabric for the binding. With it being her favorite color, and also featured among the tree motifs, it frames the design pretty well. I try to make my binding at the time the tops are finished, but to be honest, it’s the stage at which I usually lose momentum. The secret is to gift quilts; those get finished! I don’t care to admit how many quilts are stacked in my studio waiting for this 1% final piece of the puzzle.

Finish line…

The Backing

The original feature fabric is the entire back of this quilt. I just love it. The whimsical trees, the old fashioned-ish ornaments, images reminiscent of “tinsel” trees from the 60’s (is that when those were popular?); it all makes me smile. If she wants a pop of color, this can be draped on a sofa or the foot of a bed with the backing facing out, rather than the front.

Cuddle worthy

Exhale

Binding finished, one swift “shaking it out” and setting it down for a look…I exhaled. It’s as I had hoped and it embodies work beyond my own hands. Some of the swirls remind me of the first letter of my name; some of the stars, the first letter of her name, the quilty details made possible by a woman in another state. It’s good. Collaboration is good.

Snow Prayers

Last, but not least, photos for documenting the finish. New England is traditionally known for snowy winters, yet, no snow on the ground when this was done & ready to be sent. If you know me well, you know that I don’t often pray for snow. Like ever; except maybe on Christmas Eve, then not again. However, I did pray for snow the night before this photo. The cool colors of these trees, the holiday vibe & the winter forest just begged for snow. Asked & received. God is good. Today, barely a week later, the snow is mostly melted. For now. Seriously, I don’t want to jinx myself!

Holiday Hills Quilt #2

All Done

When I woke to snow, it was a good day. There, I said it. I was happy with this weather. My husband always helps with photos and if you look closely, you can see that he walked AROUND the frame so that his big footprints wouldn’t be tracked into the photo. Bonus, I didn’t even think of it, but he knew. Well done, hubs!

Holiday Hills #2 is now at home with Tammy. She un-boxed her gift on her instagram stories @whitelilacfarmhouse and her reaction literally brought me to tears. Her crying, my crying…her jokes about how “Stacey really taped-up this box” (if you know, you know). It was funny even through our happy cry fest. That unboxing moment is why I do this. I want my family & friends to feel loved. Geography doesn’t allow me to be with all the people I care about on a regular basis, but sharing something handmade, one of a kind, and made with love, can transport us across the miles. I’m so thankful for the opportunity to be able to share this skill/hobby/interest of mine with those I care about. Tammy, remember it’s meant to be used. Use it, love it, wash, dry and repeat.

Enjoy…..

All photos and content property of Two Terriers Studio; not to be duplicated or shared without written consent of the author.

Spinning Top Quilt

Meet the Spinning Top Quilt, a pattern I tested in February 2021 for Monika Henry of Penny Spool Quilts (pennyspoolquilts.com). I’ve worked with Monika before this project & always find her patterns to be well-written, which also results in a lovely finish. This one is no different & I might add, I was able to finish piecing it in one, uninterrupted day. Yes, one day. The linear design & mirror image layout speeds up the process without sacrificing interesting design.

Art Gallery Fabrics

I used a couple of collections from Art Gallery Fabrics (artgalleryfabrics.com) for my baby sized version of this quilt. The florals are called Extempore Fancy and Extempore Celebration, designed by Sharon Holland (sharonhollanddesigns.com). I added pieces from both Art Gallery Fabrics “Fusion” Collections, Serenity & Ballerina, and a touch of Pure Solids. While I really like the softness of these colors together against the bleached white background, I think a bold or dark background fabric is equally pretty.

Binding strips ready to go, once the quilting is complete

Add-on pattern features

This pattern features cutting instructions for three sizes, pillow, baby & throw. As a consumer, I like having more than one size option for a specific design, but the add-on of the pillow size is really nice. While I could most likely adapt the pattern & calculate it to suit my needs, having the pillow dimensions already available is a nice touch.

For my pillow, I recreated the front of the quilt and kept the quilting simple with a few straight lines. The back of the pillow is a single panel and I opted to add my zipper to the bottom edge. I like this placement because when I sit it on a bed or chair, I orient the zipper to the bottom and it’s virtually invisible. It also keeps the back panel as one continuous piece.

Longarm Quilting

I sent this quilt to be professionally quilted on a long-arm machine. Some of my projects, I quilt myself, others, I leave to the pros! More specifically, if I have an intricate design in mind, or if the quilt is large, I send it out. This quilt is called Spinning Top. It’s a very linear design & initially I thought concentric circles would bring an illusion of “movement” but also break up the bands of horizontal color. When I shared my ideas with the pattern designer, she was already quilting her personal quilt with concentric circles! We laughed, realizing that we had the same idea. I then saw this edge to edge pattern and it immediately represented the mark a spinning top would leave, as it moved across the floor. Done. This is my choice. When I create, I’ve found the best results come when it all ties together for me into a story. The name, the fabrics, the feeling, the design. Granted, not all projects have that need or nuance, but when they do, I really like it and feel more connected to it from start to finish.

Spinning Top on a snowy day

I underestimated how tricky it might be to get good lighting and photos of a quilt with a white background on a snowy, February day. Luckily, my husband is more than willing to drive around with me until we find the right location! I could not do this without his help.

Spinning Top, a quilt in the wild…sewn by Two Terriers Studio

I had someone in mind as the recipient for this, but guess what? That someone is now “my collection”. Maybe there will be a duplicate in the future, but I’m not ready to let it go. Oh man, are we all singing that song, in our minds now?

Monika is offering 15% off the pattern price, in her shop, until February 21, 2021. No code will be needed at checkout, and the pattern will be available for purchase after that date as well.

Happy Quilting….

This post and project are not sponsored; all comments and photos property of Two Terriers Studio; not to be duplicated or shared without permission.

Hooked

Hooked. I don’t know how to crochet, and I can only sort of knit, but this fabric collection by Mathew Boudreaux, aka Mister Domestic, had me hooked the minute I saw the sheep. Well, the sheep, the text, the readers, the florals. OK, I like all the colors too. Sign me up. Working again, for the third time with the Mister Domestic Master Maker group for a fabric collection blog party release was a lure too. As is Art Gallery Fabric. Have you felt it? It’s magic and sews up beautifully. “Hooked”; it hooked me.

Hooked, a collection by Mr. Domestic for Art Gallery Fabric

When I thought of Hooked, it obviously brought to mind visions of crochet & knitting projects. What does every yarn enthusiast need? A project bag. I mean, yarn and hooks are portable, so a unique and handmade bag is in order. I think the most challenging aspect of the project was deciding which fabrics to use. The pattern choice came easily as I’d been admiring the Juniper Basket, by Svetlana Sotak of sotakhandmade.blogspot.com. Her patterns are so well written and easy to understand.

The Juniper basket; made by Two Terriers Studio 2020

This Juniper Basket comes in two sizes and features an interior patch pocket and an exterior zipper pocket. The handles at each side, in addition to the drawstring closure make for several interesting design elements. I opted to make my own drawstrings from one of the prints in the collection, but this could easily be swapped for cording or a decorative ribbon. When I’m working with a new fabric collection, I’m inspired to incorporate as many fabrics as possible. I like to show as much of the artist’s work as I can. This basket fit the bill perfectly; I used six different prints in this one project.

Juniper Basket
Pockets are a fun place to add an element of surprise

Once the Juniper Basket was complete, I knew I wanted to also tie my love for quilting into this blog party. I believe winter crochet projects are made better by snuggling under a handmade quilt, right? We all love a good quilt, don’t we?

Large blocks to highlight the intricate designs

New fabric collections are a fine time to let a quilter’s talent shine. I looked at many intricate quilting patterns and kept coming back to the idea of letting the fabric speak for itself. To me, this collection has several stories of its own; between the sheep, spectacles, historic crochet blocks and more…it made sense to let that be the forward message. I also wanted bigger blocks so that the images had more space to be seen.

Time to bind

The pattern I chose is called Star Light Star Bright, by Craftsy. I’ve had this pattern in my “things to make someday” notebook; someday became NOW. Meet the merging of the pattern I’ve been saving with the fabric that has just arrived, courtesy of Mathew. I’ll let you in on a secret. That green solid fabric shown above…it’s an Art Gallery Fabric Pure Elements solid. Look familiar? It coordinates with Mathew’s last collection, “Playroom”, for which I also made several projects. I didn’t think anyone would mind if I added an earlier 2020 fabric into this new quilt. Honestly, I think it matches perfectly with those little highlights in the crochet blocks. It’s also what I do; blending past & present. I like the fact that his collections coordinate and are cohesive, when you see them lined up against each other.

Star Light Star Bright Quilt

Here’s another not-so secret, secret. I like a crinkly textured quilt, that just gets more cozy with every wash. I’ve yet to wash this one, but look at that texture. Do you see the sheep? Hello little cuties. While I’m not personally looking forward to chilly winter nights, I am looking forward to sitting under this quilt.

Hooked, on a glorious fall day

In addition to the AGF Pure Elements solid in Warm Wave, I added Pure Elements in Snow for the corners of the star block. I wanted it to “pop” against the other prints. I think it’s just enough of a frame to let the other colors shine. I backed this quilt in the sheep print, “wool origins”. It’s precious.

Star Light Star Bright Quilt and Juniper Basket made by Two Terriers Studio, 2020

I’m thankful for the opportunity to work with such talented makers, fabric designers and fabric manufacturers. It truly is an aspect of sewing and quilting that I never could have imagined just a couple of years ago. Artists continue to create new designs and my fellow makers encourage me and one another; they raise the bar in a way that is inspiring. You all push me to be better. Thank you.

Mathew, thank you again for this fabric. I appreciate it and had a lot of fun sewing for your latest collection release.