Jessica Swift – Two Terriers Studio

My fabric pull for the Sawtooth Shine Quilt pattern test

I’m often asked if I buy fabric with a specific quilt in mind. Sometimes, yes; most of the time, no. As I’ve mentioned previously, creativity comes to me by way of “the story”. If a fabric quickly reminds me of someone, a special location, or an event, I’m easily hooked. This collection by Art Gallery Fabrics (artgalleryfabrics.com) is called Little Forester Fusion. The moment I saw it, I added to my cart! No hesitation. (Thank you, Victoria, @midnightquilter!). I live in a very wooded, full of creatures, kind of neighborhood. We have more squirrels and chipmunks than I can count; deer tracks criss-cross our snowy lawn, not to mention the bears, bobcats, owl and red fox. Yes, bears. Our home is surrounded by woods & over the years we’ve lost a dozen trees to ice storms and planted more in their place. ALL the nature I see at home, I see in this collection. Even the marshmallows on a stick. We have so many family memories of making s’mores around the fire pit. I had no doubt this collection would one day be a perfect quilt for my family.

Almost simultaneous to buying this fabric, I was asked to test a pattern, the Sawtooth Shine Quilt, designed by Brittany Tunison of White Plains Quilts (whiteplainsquilts.com). It was actually more of a discussion about which of TWO patterns I’d like to make, as she was planning a double pattern release for February! TWO. Can you imagine? We’ve worked together on several other pattern tests and they have all been great experiences for me. She is talented; such an eye for detail and precision. I appreciate that she’s likely made several versions of a pattern before even considering sending it to testers. I enjoy the collaboration; seeing if I understand the instructions as she intended and if there is occasionally something in my experience that may be helpful to her in the written portion. It’s a really cool process, I think.

In this pattern release, there is the Sawtooth Shine Quilt (as I’ve made) and Sawtooth Sparkle Quilt. Each pattern has three different size options: baby, throw and twin. Additionally, both quilts will have two different layout options. It’s truly like having access to six quilt designs with each title. There is room for unique personalization. Yes, at first glance they may look similar, but there are subtle differences between the designs, and therefore also in the method of cutting and piecing. The blocks finish at a size that could potentially be a pillow cover, mini-quilt/wall art. The limits are only in the maker’s imagination.

As they say, measure twice, cut once. So much accuracy in a quilt is found in the initial cutting. Pressing. Pressing, not ironing. Who knew this was a thing before they became a quilter? One more thing I have to consciously remind myself to do; pause, press, not iron.

Untrimmed flying geese; seeing the colors coming together

I like to stack my quilt block pieces as they should appear, just to double check seam allowances and directions of prints. It’s easier to move things at this stage than after it’s all been sewn. For this particular fabric, I wanted the print to be in a top to bottom linear format. On the more bold prints, as shown below, there would be some pieces turned on their side.

Coincidentally, as I was sewing this block with an owl print, designed by Jessica Swift, I could hear the faint “hoot” of an owl in a tree outside. I hadn’t heard it much before & now it seems more of a regular occurrence. One more element of the story built into this quilt. There truly is beauty all around if we stop, look and listen. Having lived in a city, with all of its bustling street noises, adjusting to the “woods” was a learning curve for me. I’d miss these critters, sounds and clear night skies if we ever moved elsewhere. The crescent moon reminds me of my youngest and the rainbows – ALWAYS the sign of a promise.

As I make each block, it is my new favorite. Until the next one is made, then IT is my new favorite. Thankfully, I didn’t have any that I didn’t like in this quilt! Does that happen to anyone else?

Secondary patterns emerge as the blocks are joined. The boldness of the stars is echoed in this secondary element, almost like a pinwheel. Look at those bees, and the squirrels gathering acorns. How cute are they?

When the blocks are complete and the quilt top gets that ‘held from the corners, whip into a full length view’, it’s the moment of truth. This page of the story is the culmination of the designer’s idea, the interpretation of the instruction, fabric selection and layout of color. Did it work? Yes, I think so!! I’m so happy with this result, even with one more chapter, the quilting and binding yet to be completed.

My Sawtooth Shine Quilt on the river bank

Just as each new block becomes my “favorite”, trying to choose a backing and binding fabric turns into a question of which fabric do I like best? Which of course, isn’t fair, because I like them all. I’m still uncertain which to use or whether I may make a pieced backing. For now, I’m happy with this top and I’m taking time to decide the last steps of the process. It’s going to be a quilt that will surround my family in handmade love for many years to come, so I’m not rushing it.

In celebration of her double pattern release day on February 19, Brittany will be offering a 20% discount on patterns in her shop through Sunday, 2/21/21. For those who can’t pick a favorite, or for anyone who loves a deal, a bundle option will also be available. Shop: whiteplainsquilts.com

I’m so thankful for the opportunity to work as a pattern tester. It improves my skills and results in quilts I can keep for my family or gift to other friends & loved ones. I take my role in reviewing text, layout, instructional details, as well as sewing, seriously. It’s creative & fun, yes, but it’s also a collaborative effort to put out the best finished product possible. While it is most obvious that a tester works to assist the designer, I have to say that designers assist me too. I learn something new with each test. I’ve built relationships and made friends I would not have had without these projects. It’s a blessing. It’s a part of the story I did not anticipate when I started sewing as a hobby all those years ago.

Make something beautiful…

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I made this quilt in May 2020 while testing a pattern for designer, Brittany Tunison, of White Plains Quilts. I was able to share some sneak peeks online, but not a full reveal until today, when the pattern was made public. It is her first pattern and I’m honored to have been able to sew it, help with edits and finish with this baby quilt in the weeks before its release. Considering I was in my “no new fabric, use what you have” phase, I opted for the baby size. That phase was driven by being frugal as much as it was being forced by “non-essential” businesses still being closed.

When I first saw the pattern draft, I knew immediately which fabrics I wanted to use. I’d been holding onto this Art Gallery Fabric, Lugu by Jessica Swift, for a few months. Those owls drew me in the first time I saw this collection & I’d been saving it for a project where they could shine & be the focal point. Seriously, how fun & vibrant is this print?

Lugu, by Jessica Swift for Art Gallery Fabrics

Initially, I chose Art Gallery Fabrics Pure Solids for the accents and then decided to add some with small print. It meant setting aside some of my HST and creating more, but I’m glad I did; I think it was just the right amount of contrast, but still having some fine details.

This pattern has the same size blocks for every size quilt; the quantity you make is the difference between the finished sizes. I thought that was great planning. I knew I just wanted to make a baby quilt, but let’s say you’re creating this with scraps and you want a long-term project. You could continue making blocks and then size “up” when you had made enough to suit yourself.

Half-square triangles. Sometimes I love them, sometimes I don’t. I’m learning that to love them more, I need to make them more often, so this was a task in improving my skills! And let’s face it, those “squaring up trimmings” are like happy confetti!

Not only did I love the owl print in this collection, I was also fond of this fuchsia print with feathers, geometric lines and crescent moons. Having enough for a single piece backing was almost celebratory! If you’ve seen the backs of many of my quilts, I often piece them & even use leftover scraps from the front or make an additional block so that there is some coordinating reference on each side, once it’s finished. I actually don’t have many finished quilts that are backed with a single fabric. This worked out perfectly & I was even happier to have this mustard print for the binding. I think it frames the front well and pulls in the tone found in the feather graphic on the back.

I enjoyed making this quilt and intend to make a larger version in another color-way in the future. I think a scrappy version could be interesting or even a holiday theme, or dark background. Possibilities are endless. Being a quick finish, with easy to follow instructions, make it even better.

Many thanks to Brittany for choosing me to test this pattern. Any time I can use my editing background while also sewing/quilting, it sure feels like a good day. Congratulations to her on this first design. If you’re looking for a new pattern, go give Brittany a follow and considering adding this one to your library or pattern collection.

Now, to tuck this little lovey away and save for the future!

All photos and text property of Two Terriers Studio. Not to be duplicated or used without permission. This is a non-sponsored post. All opinions are my own; not paid.

Tag: Jessica Swift

Sawtooth Shine Quilt

The Dusk and Dawn Quilt